Showing posts with label starfinder. Show all posts
Showing posts with label starfinder. Show all posts

Friday, January 30, 2026

January Gaming Review

 At the end of 2025 I predicted I would play a lot of Starfinder and Pathfinder this year because I am getting stuck in my ways. That is half right; I would say that is true, but part of my ways include being fickle and annoyed with the systems of choice. Right now, after the last month of running both Pathfinder and Starfinder each campaign is hitting a story arc conclusion which means I could comfortably take a break and try something else for a while....or keep going to the next story arc. 

The problem with Paizo's two systems is that they work best with a serious time investment in absorbing the rules and really meshing yourself in an understanding of the mechanical elements of both the structured intention of play and the possible emergent play. This is a problem when you have tiny slivers of time in your daily life to actually devote to preparing for such elaborate game sessions; one can run games off-the-cuff or with a mildly structures campaign arc as I tend to do, but its a rough ask in a game like Pathfinder where a GM should plot out scenarios to include suitable downtime, or to consider carefully the wide array of magical items that could eventually be distributed as useful loot by the level-based mechanics of the system. If you don't take the time to do this, your game can rapidly devolve into loads of encounters mixed with roleplaying that may (at least to me) feel like stalling before the next set-piece encounter. 

Sometimes, in fact most of the time, I really prefer a more relaxed emergent gameplay element. I love game systems where I don't necessarily have to think about every encounter in advance, and so systems where random encounter tables where the element of chance plays an important role are quite appealing. I love random treasure table options because it is never that fun to me if you simply have zero chance by the system as written of getting an amazing magic device just because you're not the right level for it. You can technically break the mechanical design of Pathfinder by granting higher level magic items as loot, but the system starts to creak at the seams when you do this, and it creates power disparities that are evident in play. 

Indeed, with Pathfinder and Starfinder I have at least a couple players who are often absent, but by the rules as written their characters need to keep leveling up even if they are non-participatory for a session or two because the game design is so tight that it really can't handle PCs of varying levels very well. This has always been a bit of an issue in D&D and its cousins with level-based design, but it was generally handled better in prior editions; PF2E and SF2E both only really work well when everyone is on the same page in terms of level and power.

I have also complained about how Pathfinder handles skills in the past. While I have mellowed on this (or more accurately, just gotten used to it), this continues to be a rough spot for the players who often want to do something interesting, only to be told by other rules lawyers at the table that no, in fact, you cannot do that because you lack the requisite skill feats and such for it. This is a severe drag on the players' creativity. My last pathfinder session only had the old veterans who know Pathfinder very well, and they had a good time because everyone was sympatico, but the absence of the players who want to think out of the box was noted by me, at least, as a sign that they may not be showing up because its hard to have fun in a game system that needs that fun to fit neatly into the mechanical box and is not into the creative expression elements. 

That led me down to the rabbit hole of realizing that as a GM while I can run the mechanically rigorous system, I would really rather be running a game system that was neither mechanically rigorous nor so procedural; a system which actively encouraged creative expression and emergent gameplay. Obvious systems exist for this purpose: Cypher System comes to mind, but any game system which encourages this style of play will work. Shadowdark, for example, and even Tales of the Valiant, which offers plenty of randomization and does not lock content such as magic items behind level-based mechanics. 

A good example of what I am talking about: my level 1-4 range group includes players who want characters who have skills that let them tinker with and make or install augments (magical and cyberware stuff). But actually doing this seems to be rather heavily gated by a range of skill, feat, and tool requirements that are incredibly difficult to achieve at these levels, even though a majority of the augments are meant to be for this level. It also requires parsing out multiple different sections of the book to get the full picture on this. It is, in short, complicated.

To contrast, imagine doing this in Mothership, Savage Worlds, Traveller or Cypher System: it is essentially a non issue, and the absence of structured mechanical prerequisites means that the system itself can breathe a little, and let these things happen more organically according to the needs of emergency gameplay and story.

So yeah....I think for February I really need to think about some alternative systems that fit the play style I am more in the mood for. 

Tuesday, December 30, 2025

The Death Bat's 2025 Year in Review

2025 - Oh What a Long and Unpleasant Year

I have a confession to make, one which I think is a sentiment others might feel: when the world is going to hell in a handbasket, it can have a real impact on one's desire to enjoy simpler pleasures in life. Gaming, for example, requires a certain amount of personal time investment in both effort, thought and emotional commitment. It can be very hard to provide that level of commitment when Real World problems are sapping that time and energy away from you. So while this is not a blog where I write about all the other crap going on in the Real World, it is a blog where I try to focus exclusively on hobbies, interests and escapism...and this year was a challenging experience. I mean, I finally had to start assigning myself a quota on blog posts to force myself to write, because I could feel myself slipping away from these little entertainments in life. Hell, I got rid of my Saturday gaming night this year, because I simply didn't have enough energy left in me due to the interference of the Real World.

But luckily this is not a blog about the Real World, so lets talk about the noteworthy aspects of gaming in 2025:

Deathbat's Game of the Year for 2025: Starfinder 2E

Who knew....I really love this new edition of the game, and it is 100% compatibility with Pathfinder 2E. The new design and focus makes it a much easier and more accessible experience, and a real pleasure to GM. I am looking forward to running this one more than any other game (except maybe 13th Age 2E) in 2026.

The RPG I Played the Most in 2025: Pathfinder 2E

Close runner up is Mothership, followed by Tales of the Valiant and then there was that D&D 5.24 campaign I ran to give it a fair shake. 

Best New Sourcebooks in 2025: BRP Creatures, Monster Core 2 and Monster Vault 2

A three-way tie! Both Pathfinder's Monster Core 2 and Tales of the Valiant's Monster Vault 2 came out this year, and not a moment too soon. I love the updated stuff in the Monster Core 2, and I really love the Monster Vault 2, which is entirely new stuff, something I didn't think was possible given how many monster books Kobold Press has already come out with. Meanwhile there is the BRP Creatures book, which provides at long last a decade's long "most wanted" book for Basic Roleplaying, now providing enough content that a person could effectively replace their D&D life with BRP if they wanted to.

Best RPG I Didn't Get a Chance to Play in 2025: 13th Age 2nd Edition

I have only been able to read the PDFs, still waiting for physical books, but I am very much loving this mildly revamped new edition of one of my favorite D&D iterations, and it could not have come a moment too soon....I predict I will run a lot of 13th Age in 2026.

2025 PC Game of the Year: Deadzone Rogue

Look, there's not a lot to Deadzone Rogue, it's a FPS game about a dude on a derelict spaceship who has to solve the mystery of what's going on by shooting a million rogue robots and mutants. Every time he dies a computer recreates him and he starts over, but luckily carries his experience forward. It runs like a charm on every handheld I own which means its an essential game for my travel kit.

2025 PC Game I Played the Most: Tom Clancy's Division 2

Per my Steam metrics it turns out I have played this game a ton every single month. I did an entire second playthrough this year, in fact, and am working on the DLC expansions that came out. I like it, and similar to Deadzone Rogue it runs on all my handhelds like a charm (fair disclosure: I have not tried running it on the Xbox Rog Ally base model, but I may try it just to see; its surprising how well this device works with games, actually).

2025 Best Game I Played This Year That Was Not New: Little Nightmares I and II

Yeah, I tried them out on a lark and ended up loving them. Finally about to start the newest one. I understand purists don't like the new one as much since it not a continuation of I and II, but let's be honest, by the end of I (which II is a prequel to) left your little raincoat-clad survivor as Death Incarnate, so I am not sure where they'd have gone with an ending like that.... 

2025: The Year of the Next Generation of Handheld PCs

This year we got the Lenovo Legion Go S, the Xbox-themed Asus Rog Xbox Ally series, the Lenovo Legion Go 2, the MSI Claw 8 AI+ and also I understand that all the usual suspects still pump out very nice high end (and high priced) handhelds, such as OneXplayer. Both of my Steam Decks suffered catastrophic failures this year, one of which was clearly a hard drive failure, and for my OLED model I am still trying to figure out what happened if it is recoverable. This motivated me to find replacements. First I sold my old Asus Rog Ally original model, then sold my Legion Go original model, which went to a good home. Then I snagged a SteamOS edition Lenovo Legion Go S with the Z1 Extreme chip, bought my wife an Asus ROG Ally X, and then as the year closed out I managed to get in succession (yes, I have a problem) a MSI Claw 8 AI+, Xbox Rog Ally base model, and a Lenovo Legion Go 2. After the Legion Go 2 I decided I was done for now; there was no purpose to getting the Xbox Rog Ally X model which was inferior to both the MSI Claw and the LeGo 2 (as the fans call it).

Oh yeah, and the family upgraded to the Switch 2 when it came out. My son uses it exclusively as a Pokemon device, but my wife plays a lot on it. I continue to enjoy Switch 2, even though I am not really a good Nintendo guy, but I concede....I really love the new Kirby games that came out on it. 

This may sound excessive....and it is. I could have stopped with the Legion Go S which does everything I want, but I really enjoy messing around with this handheld tech, and I know it goes back to my youth when I would dream about the idea that one day this level of gaming fidelity in a handheld model could ever exist. Seriously, I was thinking about how cool handheld devices were when I was ten or eleven years old, and I have owned pretty much every handheld device for gaming that ever came out in the following decades. It's an illness, I know.

I'll probably be writing more about my experiences with this new generation if Intel 7 and Z2 Extreme powered chips in January. 

2025: The Year of the Walled Tabletop Gaming Garden and the Collapse of D&D 5.24 as the One Game to Rule Them All

   This year really saw the division rise between gamers who play D&D 5E, and those who play D&D 5.24, Tales of the Valiant, Daggerheart, Pathfinder 2E, or "insert here." The end result of the WotC OGL kerfuffle from two years back has born much fruit, but gaming now feels a bit corralled. Of these different options I feel like Paizo is working hardest to keep their corner of the market, as if Kobold Press, while D&D 5.24 moves forward on the momentum of a fanbase that is divided in a way I haven't really seen since the 4E days, albeit with less vitriol....probably because 5.24 didn't really change enough to merit anger, but what it did change just feels pointless, unfun or stupid. The number of times I have read an argument about why 5.24's method of "all humanoids are represented by a generic set of NPC stat blocks" is just fine, actually, and the system doesn't have any depth in stat blocks so there is totally no difference between a thug or scout and an orc warrior or lizardfolk is totally normal; the argument for the fans is literally, "The game isn't deep enough, get over it." Meanwhile, an even slightly more thoughtful design on the game could have simply included the customization by species rules from the original 5E DMG and it would have solved everyone's problem here, even mine. Unfortunately almost all of the changes in 5.24 ultimately feel like this: poorly thought out, solving a nonexistent problem, or tackling the problem (if there was one) poorly. I suspect 2026 will see D&D collapse further, and I hope the Daggerheart guys, Paizo and Kobold Press are there to scoop more players up.

2025: If Tabletop was a Hot Mess, Computer Gaming was a Dumpster Fire

From Games as a Service models collapsing to Microsoft publicly trying to murder the Xbox Console in favor of their Game Pass subscription model, to developers taking flack for using AI tools in their development, while other developers use AI generated voices to replace voice actors, its just a hot mess. To be clear: AI (or rather, the programs such as LLMs which are coming out of generative designs) as a tool for programmers to use makes sense to me. But the thing that freaks people out the most is when it looks like AI is used to replace human creativity; because the only people who don't seem to recognize slop for what it is appear to be Big Tech. (EDIT: That's not fair to Big Tech, they know exactly what they are doing, which is theft; it's the tech bros who will argue that slop is fine actually and not theft.)

On top of all this, the rapid development of AI Data Centers are causing RAM shortages and price spikes, and making the prospect of affordable computers in 2026 look dim. Just in the last two months you can see prices spike, and I'm actually really happy I managed to both upgrade my own personal tech and do a ton of hardware upgrades at my place of business earlier in the year, before the prices went out of control. You can find cheap laptops and desktops now, sure, but those machines have specs that were embarrassing in 2019, let alone now. 

2025: Was a Year of All Time

It sure was. I'd like to think things will be better for 2026.....but yeah, I don't think it's going that way. I think 2026 will unfortunately be the year that makes us look back on 2025 and go "Wow, remember when all the stuff we were dealing with in 2025 was just silly stuff like dumb game issues, short sighted and malicious Big Tech decisions driven by accelerationist philosophies, corporate greed and cowardice, life in a kleptocracy and a never ending river of AI slop? Yeah those were great times."

Friday, December 12, 2025

The Fifth GM Inspiration: Borrowing from Films

The Fifth GM Inspiration: Borrowing from Films

The idea of watching a movie and taking inspiration from it is nothing new, but a while back I took it one step further when I realized some films provide really solid, timeless plots that can translate well into the sort of "buddy adventure" scenarios that most RPGs tend to cater to. An important part of this borrowing process isn't just finding a movie with a plot that can easily translate into a scenario or campaign, though; part of the fun is the other part: genre translation. 

My favorite example comes from a campaign I ran in my early Starfinder 1st Edition days some years ago, when I was trying to figure out what to do with that edition (the new 2nd Edition is much, much easier to figure out, btw). I wanted to explore the implied and explicit elements of the universe as given, but was having a hard time conceiving of what that would look like. While watching films for a movie night I put on Conan the Barbarian (the original Schwarzenegger version) and realized that, nestled within this simple reimagining of Howard's barbarian was a classic group of adventurers (Conan, Valeria, Mako and Subotai) exploring a series of dungeons (The Temple of Set, the Even Bigger Temple of Set, and the Old Ruins along the coast where the last stand takes place), against a nefarious opponent (Thulsa Doom and his cronies Rexor and "the other guy") with a medley of side quests mixed in (finding the sword in the ancient king's tomb, the witch, King Osric, etc.). 

The thing is, if you borrow from this for a typical fantasy game not only will it feel oddly familiar, but the players likely have some familiarity with the source material (at least, if they are Gen X or millennials; Gen Z might be genuinely surprised by a borrowed plot from this film). But take the film and reskin it as a high octane scifi space fantasy adventure, and you may have something special going on. For example:

The Wicked City of Shaddizar becomes a remote outpost on a desert world;

The Temple of Set could still be a temple to Set in Starfinder, or maybe its Apophis now or any other serpent god; and maybe its ancient abandoned ruins left behind by a lost starfaring race of serpentfolk and the cult has moved in recently;

The Even Bigger Temple of Set is now a giant, ominous space station with the ability to move through Drift space, floating from world to world calling the pilgrims of Apophis (or Set, or Apis, etc.) to bring forth tribute. Sneaking in to this temple could require stealing pilgrims' identities, and the bowels of the great station revel the debaucherous parties of the elite priesthood and the high priest himself, who has funded an armada of reavers to cross the galaxy in search of artifacts sacred to his god;

The group could find that they are commissioned by the Governor of this space sector to find his daughter, who unbeknownst to him has genetic ties to the ancient serpent folk aliens, and seeks her heritage. Or maybe she's just swept up by the priest king's amazing hypnotic skills. Either way, they have to find a way to infiltrate the station-monument to the serpent god, rescue her against her will, and make a daring escape. This could lead to a holdout in more lost ruins of the ancients, where there are technological traps still waiting to be used against those who would infiltrate the ruins, or against their enemies if they can be as clever as Conan and his pals were in the film.

So, good stuff! And now it may not look so obvious to anyone that you've taken the story beats of Conan the Barbarian and turned it into Starfinder: The Cult of Apophis campaign plot.

Some more examples I have used or plan to use:

The Transporter, but as a thematic riff on a D&D campaign with horse, dragons or other means of travel as the core form of transport;

Hellraiser, but its in Mork Borg, and the dungeon is the house, and the cenobytes....are probably just a version of themselves in Mork Borg, I suppose! Extra credit if you take the core plot of Hellraiser and figure out how to put it into a really strange RPG genre like, say, Cypher System Rust & Redemption or Numenera; or maybe Hellraiser, but the plot is taking place in the archaic era of GURPS Egypt or GURPS Rome; or stick it in Call of Cthulhu and make it all mythos-appropriate.

Black Hawk Down but its Eberron during the great war and the skyship has crashed in enemy territory.

It's Pulp Fiction, but written through the lens of In Nomine or Nephilim ( to drag out two fantastic and currently very extinct games); I actually got to be a player in an In Nomine campaign which was riffed off of Pulp Fiction, in fact, and it was serious fun. The contents of the suitcase took on special meaning in that campaign.

The X-Files: I Want to Believe but its on a backwater world in the Traveller universe. The players are trying to uncover the plot, but don't realize the government has been suppressing their secret alliance with Droyne visitors who have been selling technology to the backwater world.

Starman, but the players are now the alien visitors trapped on a remote world in the Imperium of Traveller with no easy way off.

Weapons, but the entire weird plot is taking place in some remote township in Dragonbane, or the entire plot is happening on a colony world in Mothership and involves mind control not through voodoo but nanotech.

The Mansion of Madness (see my review in October) from 1971, but set in the fantasy system of your choice, and the mad doctor behind the "miracle treatment" for the mentally afflicted is really some sort of aberration. This was the plot of my lastest Pathfinder story arc, in fact. I practically ran it beat for beat like the movie until the players, who had far less patience and decorum than the movie's main character, finally lost it and decided to start smashing things.

Streets of Fire, but its Cyberpunk Red (or Cypher System Neon Noir, or Mothership) and otherwise played straight. Actually, for a weirder match imagine Streets of Fire, but the endless city is somewhere in Call of Cthulhu or the Kult universe, or maybe its Savage Worlds Supers or Cypher System Supers, and the larger than life heroes of the film are recast as actual vigilantes and idealistic metahumans. Wilhem Dafoe's villain takes on new meaning in this context. 

And so forth! There are innumerable examples, and to be honest the stranger the mix between choice of film and choice of game, the more interesting the translation can get.

Saturday, November 22, 2025

The First Weird Thing: A Plot Where the Party Discovers Earth

 I finally figured it out! My 12 Weird things will focus on 12 weird plots that can be used in the RPG of your choice. This first one is suitable for scifi in your prefered flavor and system:

Weird Plot One: The Party of Galactic Explorers Land on a Strange World - But it's Really Earth

So here's the premise, ripped straight from Planet of the Apes: the party belongs to an expedition which is surveying new star systems and looking for habitable worlds. They are part of an alliance of star systems united under a common galactic rulership, the Orion Consortium, so named for its center of power in the Orion Star Cluster. Their starship is a competent vessel with the resources (shuttles) to land on suitable planets. They have just discovered an inhabitable world with ideal gravity for Orions to dwell on.

Investigating the planet they discover that the world has traces of ancient, vast ruins that appear to have been abandoned tens of thousands of years ago. The curious thing is that no direct evidence can be found as to what catastrophe led to the sudden abandonment of this ancient civilization. Even more impressive, the planet's current sentient civilization has risen from the ashes of what came so long ago, and the strange aliens, a species which is (1D6: 1-cephalopodic, 2-canine, 3-ursine, 4-feline, 5-evolved birds, 6-completely alien) potentially a lesser species which appears to have been genetically evolved and now thrives in the absence of its creators. They are either indifferent or either outright hostile to the explorers. Indeed, with some time and effort the explorers may win some trust, or may research the ruins independently, only to discover that the surviving graven images of the ancient extinct species look exactly like the Orion explorers! The ancient records, once transcribed by the explorers' AI system reveal that they called themselves humans and the world was called Earth.... 

Mysteries to Solve:

Is the lost civilization evidence that there is a lost age of space exploration among the Orions? Are the Orions descended from these Humans?

Are the current ruling sapient species descended from genetically uplifted animals, or are they the survivors of a species that conquered and defeated Earth?

Is there evidence of extrasolar activity elsewhere in this solar system that can piece together the mystery? Relic space stations in orbit or on the Moon?

Is it possible there is an even greater threat lurking in the darkness of the system, waiting for evidence of visitation, causing the ancient enemy to awaken and respond to the appearance of another spacefaring civlization?

 

Thursday, September 18, 2025

Realms of Chirak the Setting and Pathfinder 2E


By popular demand my Wednesday group has returned to Pathfinder 2E, now Remastered, and everyone is having a good time. I gave some thought to what setting I would use...I had created the Oman'Hakat world for Pathfinder 2E when the system came out and ran a series of successful campaigns in that world, including one that ran to 20th level. I ran some shorter campaigns in PF2E using Keepers of Lingusia, and even the Enzada campaign, which was the world I designed for Pathfinder 1E when I switched over to that back in the day. I had not, however, used Realms of Chirak.....which I ran a huge number of campaigns for using D&D 3.0, 3.5, 4E and then Pathfinder 1E. I had kept my scenarios and campaigns in Chirak with D&D 5E, but a side effect of that was that I was generally less satisfied with running future games there because of my many issues with the 5th edition mechanics, which were now amplified by the even less satisfying new 2024 5.5 edition. So it was time to merge PF2E with Chirak!

This has led me to realize that I have a lot of work cut out for me, though maybe less in some ways than I might have thought, as specific ancestries in Chirak that do not have proper analogues in Pathfinder 2E will require more extensive write ups with the racial feats and such to provide proper support. Right now I am sort of running these scenarios ad hoc....reskinning appropriate NPC and monster stat blocks to get what I want, and finding the best analogue already in PF2E for players. Eventually I will work up the energy to develop actual ancestry paths for things such as the animates, cannesh, Masirians and so forth, and add in feats to support the gnome/goblin connection stuff like that. If you are unfamiliar with tis setting, I still have an old 4th edition take available out there on Drivethrurpg sites. I have an extensive 5th edition draft that I have run 5E games with for years, but never compiled into a print-worthy document. Now, maybe, I will find my writing spirit again and cough up something for Pathfinder 2E. Who knows! I'd love to feel that inspiration to write hit me again like it did back in the day, though I think it didn't so much leave me as life kind of crumpled it up and shoved it down deep into the couch cushions. It's hard to feel motivated to indulge in such fancies when the world is going to hell in a handbasket, you know?

Anyway, I am having fun with this return to Pathfinder, and likewise this return to Chirak. I rolled the timeline forward another 20 years so many of the plots and NPCs the PCs are meeting are now older than their last appearances, and many children of said NPCs are now adults. It will be interesting to watch this develop. Some venerable old PCs who have gone on to become important NPCs will weigh in, and I admit it is a shame I lost touch with some of my old gaming crew, would be fun to have them back again, but life has a way of carrying on....ah well!


As a side note, Friday's biweekly game has wrapped a scenario in Tales of the Valiant (we all enjoyed it, and found it slightly more satisfying than classic 5E, and much more satisfying than the new 2024 5E lite), but we are all eyeing the new Starfinder 2E hungrily now, especially since it is now 100% fully compatible with Pathfinder 2E mechanics....I have the Player Core, GM Core and Galaxy Guide now and I have to say, I like the approach they have taken over all --though I miss a lot of the older art style in the game; a lot of the newer art is just not as dynamic as it used to be from the old core books. The art is still good, though....just not as good as it used to be. Either way, this new edition handily embraces its space fantasy elements and fixes practically everything I had issues with in the prior edition, so I am looking forward to trying it out now.  

Friday, April 15, 2022

The Plan: D&D 5E, Savage Worlds and So Forth

 After some discussion and kibitzing with the group we have arrived at an intermediary solution, one which exemplifies why D&D 5E remains king of the heap: we're returning to our last Saturday campaign of D&D. We'd taken a break and then got distracted (repeatedly) from that campaign, but the time now is to return for a new story arc and focus. The thing is, D&D 5E is really easy to pick up and play, and the rules are very easy for all at the table to get back in to. Roll20's Charactermancer is so easy to use my son was able to make his new goliath warlock with little intervention on our parts. My other player who normally has some technical issues has been using D&D Beyond which seems to work really well and also interfaces with Roll20. So....win win for all.

This sidesteps the Starfinder issue entirely, which I decided boiled down to a problem with the specificities of welding Pathfinder mechanics to scifi thematics. Paizo has such good visuals and design on the story and look of the Starfinder universe that it is hard not to want to explore it....but the design choices and thousands of pages of rules make it a tedious chore. Maybe in my younger days I'd have the energy, but I feel proud of myself to admit that I no longer find such volume and complexity satisfying, and it is okay to find a simpler solution.

Ironically the next story arc of that older D&D campaign involved the group finding a crashed Spelljammer ship and trying to salvage the helm so they could use it on a new vessel. As such, it would be doing more or less exactly what has been planned for the other group. Kizmet? Who knows. Either way....I plan to blend the old AD&D Spelljammer stuff with the Legendary Games Alien Codex stuff, so it should be interesting.

I still plan to get back to Starfinder, but I am mulling over an idea of using Savage Worlds for the rules, instead. Pinnacle, the company behind Savage Worlds, published a very nice adaptation of Pathfinder to their ruleset, and I think they should do the same thing for Starfinder, too. A lot of settings from other games adapt really well to Savage Worlds, and this is a great example of how the flavor and style of Starfinder would be improved upon by the flexible but simpler and more intuitive ruleset of Savage Worlds. I am not saying Starfinder can't be fun to play on its own....for a great many it is......but merely that a SW style take would be amazing. So my plan is not to wait, and look at how I can use Starfinder as the setting resource, but Savage Worlds as the mechanical resource. It would solve all my issues with Starfinder's rules in one fell swoop, that's for sure.

Monday, April 11, 2022

Thinking About the Next Game - Starfinder

The end of the OSE campaign left us with a potential space-adventure cliffhanger. I proposed using Starfinder as the system of choice. This may or may not have been a wise choice....Starfinder's got some strengths, and I am not 100% sure those strengths are important for me right now so much as that I can get the framework of the game to support a more holistic approach to the style of play I seem to be favoring these days.

Still, at least I have ideas here, and I am excited to get a chance to use the Galaxy Exploration Manual, a book I consider so vital that it should have been the third release in the Starfinder lineup to begin with, but instead came out after I stopped running Starfinder.

These days, I realize my expecations for the game table are as follows:

Shorter campaigns

 I am having a very hard time committing to long term campaigns. I am strongly favoring scenarios or mini-campaigns that will take between 4-10 sessions at the most. It doesn't mean we can't revisit those characters in the future, it just means that I am better now at proposing a discreet campaign with a plot structure of some sort, rather than an open-ended thing that goes forever. Some of my players love the lofty goal of level 20 as the campaign end goal; I just haven't got that sort of energy in me at the moment, any more. My age is at last catching up to me.

Fewer maps and minis

If the maps are convenient and available, sure, but otherwise I have not got the time or energy (or desire) to sit down and work out elaborate maps for everyone at the virtual table. I know some players need the maps for contextual reference; those players might find other games by different GMs better; I am strongly in favor these days of a single "Old School" diagram which has a series of areas on it, reflecting "far, near, engaged" on each side and letting the PCs move themselves to each location as a move action. Basically, Final Fantasy Combat Style. I recall this exact sort of grid (or close to it) existed as far back as Classic Traveller and its essentially just a modern restatement of what is used precisely in 13th Age for abstracted combat.

I really need to go run 13th Age again. It's been a while, but that was honestly a really fun game to play.

Anyway....the point is, I feel that the wargame element a map and minis bring to the tabletop is counter productive to the actual RPG elements I actually enjoy in tabletop. And yes, I know this means that it's more of a challenge to pull this off in a game like Starfinder where the foundation of the game rests on the laurels of maps and minis. 

Weirder - weirder perhaps than is normal even for me

By this I mean....I want to run a game that is interesting once again, and not so procedural. If I am running Starfinder it is because there are interesting ideas, species, worlds and exotic elements to explore, and not because I can't wait for the next highly procedural map and minis firefight. It's not that a good battle doesn't matter.....but I am 100% done with needless random fights that contribute nothing to the overall story. Good random encounters (such as can be seen throughout various Mothership modules) are where it's at. 

Okay....some thoughts. We'll see if I am at last able to structure a scenario process that will work with Starfinder. I have more confidence now than I have in the past thanks to the Galaxy Operations Manual, which is to Starfinder what the Universal World Profile generator is to Traveller. 

Monday, April 4, 2022

OSE Adventure Conclusion - Cold Wind Whispering Module

 So the Old-School Essentials mini campaign I ran is now over with. The group explored The Mountain of the module Cold Wind Whispering, which is a module written for use with any Original or B/X based D&D edition (and easily usable with AD&D as well). As I had originally prepared the module I realized that I was sending in a gang of level 1 PCs to a module that had a lot of 2-4+ hit die monsters, so I ran a short dungeon crawl in an abandoned temple before it, which I will probably post on the blog soon. The dungeon crawl was fine, but it was what reminded me that the old school format of dungeon crawls could sometimes be less exciting than we remember....I've been around the block too many times now to get that excited by a standard dungeon crawl, I guess (though my son enjoyed it).

Anyway, a theme in Cold Wind Whispering...and, real quickly:

SPOILER ALERT AHEAD!!!!

TURN BACK IF YOU PLAN TO PLAY THIS!!!!

OKAY?

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Okay, so the Mountain in Cold Wind Whispering is the location of an ancient crashed space ship. In the module it's Zhu, the basis for a cult of worship, and an ancient monastery which is corrupted by a demon. Lots of other stuff fills out the background and exploration areas of the modules, from lost dwarven empires to ice fairies and frost elves, talking wolves and a witch who likes turning children in to cats. The module is written as a Path Crawl, which is a fancy way of saying you give the players a limited number of choices to take (do you go down this trail or that trail?) and if they break off from the established paths the chances of getting lost or eaten by wandering monsters goes up considerably.

The module also introduces a Body Heat Die mechanic, which is a fun way of ascertaining whether the group is at risk of exposure to the cold, and to what degree. It's a depletion die mechanic not unlike what the Black Hack is famous for. In actual play I didn't remember to call on it nearly as often as I should have.

What I did with the module was add the ruined temple dungeon at the beginning to bolster PC XP, then renamed some items to disguise them/fit them in better with the world I set the module in, renamed Zhu to Zhuul, and elaborated a bit on what the space ship was (a giant sentient exploration ship), why it was crashed, and why it could continue to work. At least one patron NPC with the group had a vested interest in finding the shrine of Zhuul/Zhu, and each PC got a motivation from the chart in the module to be there, too. 

Similar to the tri-fold modules I was raving about last week, this module, despite being around 70 pages in length, takes advantage of a kind of brevity of design. Each area of the mountain takes up about 1 page, and a few areas then open up to dungeons with several pages of description. My group never visited the monastery, and they explored about half of the ice lair of the mad wizard before fleeing in terror. In Saturday's finale, they found the ship, and I elaborated on it in more depth. They ultimately were able to get the vessel going (after an overheat roll caused a glacial meltoff and avalanches), and in the very end, half the group stayed with the ship to depart to parts unknown, and the other half asked to be dropped off in their home city, which the Zhuul AI obliged. 

The campaign ended with a unique situation, two branching paths for equally interesting potential campaigns:

--The group dropped off in the city of Zalfurak were deposited in the royal gardens, where the giant bird-like ship left them. As they departed, terrified witnesses in the city proclaimed them oracles of the goddess Zhuul and asked what must be done to appease the goddess, who's last priest had died and for whom no one had believed in --until now! 

--The other half of the party departed with Zhuul into the depths of space, on a voyage which is best handled by other game systems. Alas, OSE's closest "stellar" campaign on offer is Planar Compass, which is more of an astral/dream adventure type thing, and the idea I had in mind is more hard core SF. I could crimp from something like White Star*, but the truth is using something like Starfinder or the 5th edition books published by Legendary Games for SF adventuring with D&D would be more suited to what I have in mind. Heck, even Spelljammer adapted would be a good option.

(My son suggested that I could keep running the game with each group split like this, but I pointed out old dad was old and knew better than to run two completely different campaigns that would never cross again in the same session, and it would send him to an early grave if he tried!)

Anyway.....my time with OSE has been fun, and I can respect what the game system does, as it does it very well. I concede that ultimately this system is too simple in scope for my tastes, and in the process of playing I realized that there are a lot of Old School things which, looked at through OSE today I now realize were easy ways to model skills and such back in the day....Detect Secret Doors is just a Spot or Search skill. Listen to Doors is just a Listen skill. Break Down Doors is just Feat of Strength/Athletics. Framed that way, they become more broadly useful for resolution. Not having other skills outside of basic class abilities or the optional proficiency mechanics makes characters feel a little anemic by modern standards, but there is definitely much fun to be had in a system where things are largely undefined. 

It is strange, though....OSE feels so much simpler than AD&D 1st Edition, although technically it's still modeling that system (at least in the Advanced mode). I think that may be one reason that OSE, while fun, hasn't been scratching the nostalgia itch for me as much as I thought it would......AD&D was loaded with individually complex or arcane subsystems, proficiency rules later being added, and lots of specific stuff which you had to parse out, ignore, or replace as needed to enjoy the game. The XP system, for example, which I had previously mentioned I never used the GP=XP standard when I actually ran AD&D in the 80's, and it took me approximately 2 sessions of the mini-campaign to ditch it with OSE as well. 

I think the next excursion I make with an old-school nostalgia trip will, for clarity's sake, be to attempt to run actual AD&D again.....though which edition (1E or 2E) remains in question. I had speculated that 2E would make more sense, but not really; everything about 2E that was clunky or annoyed me was fixed in D&D 3rd edition, so just looking at 2E makes me want to play 3E instead. AD&D 1E, however, has a level of mystical recollection of youth to it that might make it more fun to re-experience again (in my defense, I ran an AD&D 1E campaign back in 2008 and it was fun). We'll see. For now, I think it's time to get back to more modern games.

My son chose to go with the space ship Zhuul. I showed him Starfinder after that, to see what his gnome barbarian character might be in the Starfinder universe, and he promptly took the rulebook from me to go read it. I may finally have the motivation to run Starfinder again and stick to it for a while as a result. The infectious value of a new gamer to the mix, one who is earnestly enjoying the hobby for the first time, is well worth nurturing.  

EDIT: Aside from Legendary Games' 5E SF stuff and Starfinder, two other possibilities include Esper Genesis and Cypher System. The latter would have the most flexibility but also thematically the stories would change as Cypher works best when its not all about combat. Esper Genesis I will have to investigate, though, as to the feasibility. 


*I feel bad about it, but realize White Star's Galaxy edition really killed my interest in the game. Too much riffing on satirical/pastiche material from established IP like Star Wars, Transformers and such. In the original White Star it wasn't much...minor riffs like Quinlons, star knights and Cannicks were easy to overlook, but the core conceits were closer to, say, a OSR riff on Traveller more than anything. But when taken in total in the galaxy Edition I was just....it was too much for me to soak, man. I guess I just like my SF systems to be a little more serious; let me add in appropriate humor, and leave the generic off-brand ewoks, wookies, and yodas on the cutting room floor.

Wednesday, July 28, 2021

Suggested Read - Gibbering Mouth

 A brief post, but I really enjoyed the blog post at Gibbering Mouth by Alex Augunas (here). He reviews his recent experiences with Pathfinder 1 E and 2E, D&D 5E and Starfinder and talks about his experience with their strengths and weaknesses. He does a better job of expressing some of the issues, particularly with Starfinder (and its enormous setting strengths) than I have, and I find his discussion on PF2E a cogent analysis, one I have not quite seen as well as a GM, but which my players feel and likely would agree with from his analysis.

When I consider my time with Pathfinder 1E, for example, I am in total agreement....PF1E broke me in many ways as a GM, which is why I like PF2E so much more. I haven't yet reconciled my current new obsession with D&D 3.5 (and that game is still going strong!) beyond that D&D 3rd is a known quantity and that I am running it with careful consideration for all of its mechanical expectations at present. When that campaign hits level 12 I do sort of expect it to go off the rails....but also I recall how that was not really a thing I noticed (except for once when I experienced a CoDzilla first hand) until 3.5 was retired and Pathfinder 1E had risen to carry the torch. 

Still, PF2E is a lot of fun to play. I think my players are more in sync with it overall now, but I'd also suggest it's a hard game to play on autopilot....despite some trimming of the rules a bit, the game still is pervasive with the philosophy of system mastery and a casual player can easily find themselves spamming the quick and easy to understand stuff and miss out on interesting synergies and hidden options.

D&D 5E, meanwhile, is most definitely as Alex characterizes it: so easy it almost feels like you're missing something. I disagree on the skills, though. The complaint about definitions and their absence only makes sense if you are overly used to the rigor applied from 3rd edition onward to tightly defining what skills can do. If you are used to more holistic systems such as BRP/Call of Cthulhu and most other skill based RPGs of prior decades (GURPS excluded), a more generalized "eyeball and guesstimate the best approach" sort of attitude toward skills makes more sense.

His enthusiasm for Starfinder is infectious, though. It makes me really want to dive back in. His analysis on the problem with the game economy is intriguing, as I hadn't thought of the issue in this manner before (that the game drives players to spend their currency on constant upgrades at the expense of more tangential and fun rewards) but makes total sense. Still, just reading it makes me want to dive back in. I've had one really good Starfinder campaign two fun but failed ones, and a medley of one-offs that should have gone somewhere but didn't. I am thinking that the next time I try, everyone starts at level 5 to begin with to bypass the excruciating low level experience and I work on envisioning a stronger and more coherent space fantasy setting that I can riff from in a manner similar to the fantasy setting I find so easy.


Thursday, June 17, 2021

Devil in the Details - When that one design choice overturns an otherwise fine system

Today is a post about griping about things, completely new to the internet, I assure you. You have been warned!

So I wonder how many have had this experience like me. Take a game, a game you might have a keen interest in. You read through it, design some characters, work out some scenario ideas.....you're learning the system. So far you see all the cool stuff and you become increasingly impressed. The creator of the game has a vision, and its one which aligns well with yours, meshes nicely. Indeed, it either supports your own ideas well, or provides ideas you had never considered but can definitely get behind.

Then....that thing happens. It's the thing that for some people they say, "Yeah I like this, but I wish the game did this thing differently," and then they start tweaking and house ruling. In some cases, anyway. I don't generally mean that, though.....first off being I don't like assuming I know enough about the rules to want to change them until I've actually run the game. Second issue being a rule might pose issues, but the idea in my head is that subtler, more disheartening moment when you discover that there's a design element in the game, something maybe a bit vague or undefined that you feel should be fleshed out, or an omission (or inclusion) that just feels out of place to you. 

Maybe the game suggests you should have a wild and wooly bestiary included and the game only has stats for four monsters or something. Maybe you expected the game, which deals with a serious look at ethics or morality in a genre setting to include some rules that support that and they're just...absent. Or maybe you expected the game about high tech capers to have more than a page or so on high tech things. That sort of "oh no" moment.....things you could only fix by, essentially, writing an entire new chapter or sourcebook for the game, or rewriting the game to remove a weird tonal inconsistency. Or drafting up new art to reflect the dark and serious nature of the grim setting, reflected through the eyes of an artist focused on cute anime styles. Stuff like that.

I've had that happen to me on occasion. I'll concede, a lot of what crops up here are SF related, which might say a great deal about my expectations for SF games. A few notable examples I can think of at the moment include....

M-Space Falls Flat on Weapons and Gear

I really dig M-Space and it's design intent, but I believe the author is on record as not being very "gadget focused," and it shows, unfortunately. When you get to the equipment section the barebones weapons and gear lists are the barest essentials for a good SF setting from my experience, and are oddly reliant on some Star Wars terminology with the serial numbers rubbed off a bit (seek out evidence of where else in SF the actual term "restraining bolt" is used, for example, outside of Star Wars). When you see the similarities in the gear it can't be unseen, and the minimalist list means the GM has some work cut out for him if he wants to have a range of gear across differing tech levels. M-Space also lacks tech levels, and oddly, while it does provide ship costs in design, its prefab ships do not tell you how much they cost. My players will want to know!

White Star Can Be Taken Seriously But Doesn't Want To 

I griped about this before at one point, and it was really when the Galaxy Edition came out that I realized that the White Star universe was defaulting to a setting with transformers, cosmic space squirrels, not-wookies, not-ewoks, off-brand jedi and off-brand sith and so on and so forth that the simplicity of the original core rules (which had nominal Star Wars-esque content that I could hand waive) suddenly overwhelmed my ability to use the expanded product with any sense of seriousness. Were I to write a game like White Star, I'd try really hard to corral the homage-style content to supplements and leave the core rules something with a broader scope in application.

Starfinder Uses Handwavium for Gear and Starship Economies

Also griped about, but ultimately a bugaboo that makes it hard to properly run campaigns for this otherwise fine D20 system, is its use of level scores for gear and a starship design system that completely divorces ship design and advancement from wealth. The core conceit of Starfinder is that mechanically both gear and ships are tied to PC level and over time you can get better gear (and boost your ship) as part of the leveling process rather than as part of the "in game story process" in which the players negotiate for the cash to buy things. In theory this shouldn't pose too much of a problem except that it does....and it does so because the way gear is done lampshades the entire process. Gear at level 20, as an example, isn't theoretically that different from gear at level 1. It's just....better. Much, much better. Trying to explain how build points for starships tie in to the galactic economy or why the corporations sell gear at increasingly staggered levels of complexity raises all sorts of uncomfortable questions about how the Starfinder universe is supposed to work, and as a result it does some very weird things to one's sense of verisimilitude. The problem of course is we as gamers know the real answer: mechanical balance demanded by the game system. But when the game mechanics cause weird and illogical interpretations of the implied game universe, it makes acceptance of that universe very difficult. More difficult, ironically, than believing in fantasy space elves with magic and laser guns.

Pulp Cthulhu Is Pulp at the Expense of Cthulhu

Yes, you can adopt the Pulp Cthulhu rules and have a rousing adventure in which you through derring do and sheer grit manage to blow away an elder thing while dynamiting his pet shoggoth.....but are you actually playing Call of Cthulhu then, or are you just using assets for a physics defying action game that is paying a slight nod to the source material it perverts? Maybe it depends on the interpretation, but I personally think that talents and all the associated drivel of the pulp rules can go hang out in someone else's games. On the plus side, it's all quietly constrained to the Pulp Cthulhu books and therefore easy to ignore.

Those Dark Places Likes to Talk About The Idea of What's In Those Dark Places But not..you know...What's Actually In Those Dark Places

Those Dark Places is essentially a game about the first twenty minutes of the movie Alien, and it stops right when they are about to find the eggs in the ship. It's an indie game (and as such a lot of the times you have to either be on board with the creator's vision or get off the bus), in which the smallest section of the book is the one which advises GMs on how to populate their games with vile xenomorphs and evil androids. Indeed, it really doesn't seem to want to do this at all, and stops short of....anything. So, yeah. It's really just an indie RPG for rolling up space workers and then thinking about how it would be cool if something interesting happened while they were working. To contrast: the excellent Mothership gives you one rulebook to roll up spacers, then showers you with several incredibly dense space adventure tomes that are increasingly insane and deadly space crawls. 

Okay then! Felt like a rant for fun. I think some of this is cropping up as I am taking time during my work-related exodus from gaming to realign my gaming focus and look for other oft neglected games on my shelves to see which ones might demand more attention and interest. Maybe next post I'll mention some of the games which surprised me with their efficacy in design and focus. 


Tuesday, April 13, 2021

Starfinder: The Claw of Trikaros (scenario)

 I ran this scenario as an opener a while back to my last try at a long term Starfinder campaign. As it looks like that is indefinitely on hold due to the same issues I keep running in to with Starfinder, thought I'd drop the opening scenario notes down for those looking for some inspiration....these are the original notes; my actual play session staged everything as starting in Absalom Station and then was modified a bit to segue into the "Fly Free or Die" AP. This scenario can provide a one night session for Starfinder and might be modified for other SF RPGs with weird elements.

The Claw of Trikaros

Act One:

1.      The group has possession of a Kevolari Venture thanks to an enigmatic patron called Logos. Logos has requested that they work for him/her in exchange for the ship and a measure of freedom; each has been cleared of recent crimes. For the first mission he notifies them to help out an old friend.

2.      An old friend, Devon Mursk (human, Operative, Level 2) has asked the adventurers for assistance. They are asked to meet him at a specific coordinate, to pick up a special cargo including himself and three guests, no questions asked. The gig will pay 10,000 CR for a no-questions-asked transfer from the location on Pillar’s Way, the ancient orbital platform built around Klassikon, a Quarantined World said to contain nether rifts to the Abyss.

3.      As it turns out, the group finds out that the coordinates take them to a vast ruined temple-fortress on the surface of Klassikon, a fairly contested region, before a lost temple of the Church of Kazon-Dezak. The group finds the four pickups en route from the maw of the ruins, pursued by a suit of Animated Lictor Hellknight Plate and a horde of skeletal undead.

4.      The actual fight: group can’t target weapons from the ship as they are too close and will kill the clients. So! Fight at the ship’s boarding ramp: 5 rounds before the animated hellknight armor arrives, attack consists of: 6 skeletal undead. Countdown to Hellknight appearance 5 rounds. Group only needs to get group on board with supporting cover fire to escape.

5.      As group lifts off, an ancient buried landing platform is revealed by parting dirt and stone and a horrifying derelict ghost ship emerges, a lost relic ship of the Crusades! It’s undead (use Blackwind Sepulcher); group can make piloting rolls through the Pillars of Fire Nebulae, which cause the ship to combust due to its leaking Rift Drive.

Act Two:

1.      The group is now asked to deliver the gang to the Moonworld Korus around the Jovian Giant Silver I in the Silver Star System (5D6 days to get there since it’s jumping to a new system). The four include friend Devon, but he looks….sick? They have a locked crate and the other three refuse to remove their combat E-suits, even with signs of injury. They seem content to park themselves in the cargo hold of the PC’s ship and wait patiently.

2.      Secret: the three are named Zalon Tass, Fegar Rohn and Saita Desainte, they are each lacedon ghouls and are in the service of the Dark Star Pact, an order which works to awaken the Aquatic god Trikaros, which the believes rest in the ancient cities beneath the waters of the moon Korus. They worked with the human Devon Mursk to secure a lost artifact called the Claw of Trikaros which is thought to be a key that will open the doorway to the prison vault of the ancient god, but they need a live human to do it; using the key turns you into a ghoul. They have noticed however that handling the artifact has affected Devon Mursk in some way….he is acting strangely.

3.      Each day of the trip for the next seven days people may notice Devon acting strangely, including him attempting to access navigational logs. On day seven he makes a move: he sabotages the drive and it forces the ship to drop out of the Drift. Devon then inexplicably seizes the Claw of Trikaros’s case and attempts to eject himself and the claw into space through the airlock, possibly with a shuttle if available. The ghouls try to talk him down, but realize he has been overcome with something strange madness….secretly, a Yithian named Vector has reached into Devon’s mind to steal the device! He has been waiting for the ship to reach the right location in space. A deadworld, adrift in space called Traxion holds the secret lair of this Yithian, who intends to retrieve Devon, his puppet, with the artifact.

4.      The Yithian has sent a ship, Multifold G7 Autohauler, equipped with two space-ready Observer Class Security Robots and one reptoid named Talon (disguised as a human woman) who serves as the Yithian mind vessel. They insist the group allow the safe transfer of Devon with the artifact. Presumably a shoot-out ensues, but the Yithian will promise to double their pay (20,000 CR) for the release of the artifact. The ghouls will get violent if the party agrees. If the group seeks to consult Logos they find the comm array cannot locate any signals in the dead of empty space.

Act Three:

1.      This plays out in two ways: group arrives at the moon of Korus and lands on Dragon Corp. Mainstation where they disembark and part friendly ways with the ghouls. The enigmatic benefactor, Logos, manifests and congratulates them on the task, but then explains new tasks are yet to come….

2.      If the group reveals to Logos their sale of the artifact to the Yithian, he says that he regrets that their contract must be terminated…no pay, and the docking bay locks up! They have been reported for working with agents of the Dark Star Pact, and authorities are on the way. Group can try to hotwire the bay doors on their Mainstation hanger and blast out of there.

XP Total:

Undead 1200 (plus 1600 if they actually fight the animated hellknight armor)

Escape of the vessel: 200

Reptoid 400

Observer Class Security Bots 800

Optional Ship Escape: 200

Total combat XP Split per PC: 400; +up to 400 for two ship escapes

Completion of Story award: 500 XP each (to get everyone to level 2) (Total per PC XP: 1,300)

+200 XP if they did not give the relic to the Yithian.


Wednesday, February 17, 2021

Back to Starfinder!

After a few week's absence I am ready (finally) to run more Starfinder. I made a few executive decisions:

1. I chopped up the Fly Free or Die adventure path to extract some interesting bits, then went back to my original campaign premise to resume what I want to do, incorporating the worlds and ideas I've been developing over the last four or five Starfinder campaigns I've run in the last few years.

2. I took a real "this is Pathfinder but in Spaceeee" focus, with the idea that I should design the campaign the same way I would a Pathfinder adventure, rather than the more open way SF games tend to command (ala Traveller). I've got "stuff" I can use as needed should players defy expectations, but the goal is to provide a sweet motivation for the players to want to pursue the interesting content I spent the most time on. Then, in true form, that content is designed for the most flexibility in terms of how they approach it. 

3. The Big One: I made a serious, conscious effort to avoid a problem I decided was what was causing issues for both my Starfinder game previously, and in fact may have been what nixed my White Star attempt last year: I'm taking it seriously (playing it straight, in other words). There's a temptation to lean in to weird elements of space-fantasy settings and notice when some things that are happening appear to be tropes, or derivative, or cliche, or just plain silly. 

White Star has this problem at times because a majority of its content is derived from popular scifi settings....it's the Qinlon/Canneck/Yabnab/Rawrr problem; the game lampshades in its own naming convention that these are really klingons, daleks, ewoks and wookies. As a result, using such content inherently feels derivative if you don't figure out a way to change it up a bit. When I ran my original couple of White Star campaigns I avoided this issue by making qinlons more like in-control versions of Firefly's reavers or the wastelands goons of Mad Max, making the cannecks more like horrifying Von Neuman machines that destroy worlds than anything resembling the silliness of daleks, and in those campaigns it was the original edition of White Star so I could ignore yabnabs and rawrrs (something the Galaxy edition makes harder to do....yes you can, but your players can't unsee what they saw, y'know?)*

Starfinder has this to a certain degree as well. It's got some strange setting assumptions that can be easy to lampshade if you aren't careful, since the rules themselves don't really prepare the GM for the hows and why's of the implied Pact Worlds setting. These include:

The Gear Economy - why a level 1-20 scale of increasingly expensive but useful gear exists as a thing in the context of the setting;

The Starship Economy - why starships are not part of the economy and are part of the leveling scheme (though some rules in Fly Free or Die help muddy that water a bit);

The Fantasy Elements - explaining a mix of fantasy and scifi tech is not the issue, it's clarifying why there are elves, dwarves, orcs, drow and other fantasy species spread out throughout the galaxy; removing these species is possible but creates gaping holes in the toolkit infrastructure of the game. The game itself treats the presence of such species in space in strange and unusual ways. For an example look no further than ghouls to see how a horrific cannibal undead monstrosity gets turned in to a semi-docile workforce that just wants to get past its ancient reputation while working dangerous jobs living beings can't. Sometimes this works well, but other times it just feels a little....cartoony? Goblins, skittermander and other elements pose problems when a GM wants to run a game that feels like a universe that could exist outside of a cosmic multimedia blender. 

My solution is to lean hard in to the same thematic elements that make Pathfinder games fun, but now with more space stuff. So rather than delve into the mundane elements of how a space trucker economy works and how space thieves guilds function (the subject of Fly Free or Die AP) I'm going to stick more closely to the idea that this is what a Robert E. Howard tale would look like if it were written in a science fiction universe filled with both fantasy and magic (okay yes we have Almuric to look too, sure**). The assumption I am taking is that there is infrastructure to this spacefaring society in the Starfinder universe, but its just barely enought o sustain some sort of trade network and industry, and the vast majority of worlds are teeming with strangeness, hidden mysteries and horrors, and that the underlying risk in this universe is precisely the same as it tends to be in a straight fantasy setting....just with lots of additional tech. 

This means that a nontrivial percentage of worlds in this version of the Starfinder universe are just techno-feudal societies where the noble elite remain in charge, but the resources are hoarded or squandered and rarely do you see something resembling a normal futuristic society that might fit in Traveller. I'm going to assume that movies like Forbidden Planet, Zardoz, Planet of the Apes, Star Wars, Star Crash, Krull, Starbeast are more informative of the thematics of this universe than more realistic science fiction. I can even assume that the very D&D/Pathfinderish ages-old conflict between Law and Chaos informs this universe at its core, explaining much of how the perpetual churn of social, technological and magical conflict continues unabated. 

Anyway......that is a long way of saying I don't want "docile orc mechanics, ghouls who just want to be useful, gnomes being gnomes and skittermanders and goblins being themselves" to dominate the overall feel of this campaign. I'd like the campaign to feel weird, old school, and intelligent...an homage but not derivative, and genuine instead of a parody or farce. If a goblin is going to get up to something, I'd like to think it's because there's a genuine culture of goblins in the woodwork, laboring under a reduced social status while living off the wreckage of high tech and high magic societies above, and not just because we need a quick encounter with some slapstick. Likewise, ghouls aren't just misunderstood humanoids suffering under centuries of strife, but a deformed caricature of man wrought in necrotic energy, undead beings who struggle on a good day not to consume the flesh of the living and shun the light, and a handful strive to be seen as some semblance of what they were in life, while far more find solace and freedom in the cold darkness of space.

We shall see! 




*I know that there is a lot of fun to be had by leaning in to this stuff (playing for the derivative content as a focus), but you can't really mix that sort of thing with a serious campaign (ime).

**That, however, is planetary romance which is actually a different kind of genre. 

Friday, January 1, 2021

2021 Gaming Plans

 For 2020 my gaming plans went through hoops of fire as the pandemic changed how my game tables worked. The FLGs where we all met could no longer host (and still can't under current lockdown rules), and was shut down for lengthy periods. The gamers in my group ranged in age from 30 to 60+ and enough of us fit the "older, with complications" category to not want to risk casual exposure for gaming. 

Early on, like the week my state (New Mexico) shut down everything back in March/April I researched online virtual tabletop (VTT) options and settled on Roll20 as a primary venue, with Astral as my backup. 

For Astral I have so far only interfaced with it as a player. Onebookshelf graciously offered a one year premium subscription to publishers on Drivethrrpg.com I think to stimulate us all to produce content that was compatible with Astral, which has a fairly limited content set compared to Roll20 or Fantasy Grounds. So far my experience with Astral has been Call of Cthulhu-centric, and it handles the game just fine. Quirks include: lack of voice support, an odd way of delivering handouts to PCs, and a background music option that can be fun and annoying at the same time.

For Roll20 I have invested heavily, which means I'm pretty well committed, so good thing I enjoy using it for the most part. I feel it could handle "spontaneous" content a bit better (trying to type in or click to set up complicated dice rolls is annoying in all of these systems so far) but it's approach for me as a GM works well. The problem with Roll20 is that it handles games for which it has some level of support generally quite well, but if no one has bothered to build content in the Roll20 charactermancer or the publisher hasn't arranged to set up purchasable support in the shop for its ruleset then the only games you can run without that support are those for which you will find the rules/mechanics to handle adequately on the baseline support of Roll20. As an example, I ran Cypher System and Call of Cthulhu using just the available character sheet from their free Quickstart product and otherwise used my physical rulebooks for the campaign I ran just fine....and while even the free level of support is enough to run, say, D&D 5E easily in Roll20, I think I'm hesitant to run Savage Worlds without some compendium data, and I wouldn't even bother with Traveller right now, which appears to have no support for the modern edition of the game on Roll20 at all (that I can find).

I ruled out Fantasy Grounds for one reason: cost. Too much cost, unfortunately. After two years of paying for Roll20 I might have spent as much on it as I would just getting the foundation necessary on Fantasy Grounds, but I'm kinda hoping we're back to physical tabletops by 2022 you know? Gotta dream!

So this is a long way of saying: what I plan to run for 2021 is driven by what I can manage to run in either Roll20 or Astral Tabletop. Right now, that list is pretty tightly defined to:

D&D 5E

Pathfinder 2nd Edition

Starfinder

Cypher System (even though no rulesets are available, the cards all are, and the charactermancer sheet works great)

Call of Cthulhu

I also have Scum & Villany RPG's setup on Roll20, may try to run that at some point.

I can readily run (thanks to available compendiums, when I am willing to buy them if I think they would be helpful):

Alien RPG

Esper Genesis (the core rules just released as a compendium)

Warhammer Fantasy

Zweihander (the core player rules are free!)

So yeah, that's essentially "what I can run" without taking precious free time to try and learn to code in the charactermancer. So...in a nutshell, these are the games I have on the table, so to speak, for Roll20 gaming this year.

Now for Astral Tabletop, aside from the ongoing games in which I am a player I might well use it this year as a GM to try one of these games that I am interested in: Cyberpunk Red, Sword Chronicles (more on that one in a future post!) and maybe GURPS. I have a campaign for GURPS set in ancient Egypt I've been working on for months now, and I really want to run more GURPS this year, it's a game system that fits my current mood for gaming well these days. All I need is a group of like-minded players who find an historically accurate campaign in the late bronze age to be tantalizing and I'm set!

So, for 2021 so far, my plans look like this:

Saturday Group: this is the "long haul" group that can remain focused and benefits from a GM who is not frayed from midweek work stress. As such, it tends to be better at long term campaign commitments.

1. Get the group through their current D&D 5E campaign. I am expecting they will like to grow it to a logical conclusion that ends around level 10-12, but we'll see. 

2. Get the group back to a new Pathfinder 2E campaign as soon as possible and never look back at D&D again.

3. Alternatively, get at least a 10-20 session Cypher System campaign using Godforsaken to run Realms of Chirak going as soon as feasible.

4. Propose Esper Genesis at some point.

Wednesday Group: this is the group with more "stressors," including a GM who is harried and overworked midweek but liked having the midweek game because it sometimes helps me decompress (but sometimes work won't let me and sessions are missed). It has at least one player who can only attend every other week, but we've stopped trying to run alternating campaigns for my own sanity and he instead makes characters which can have an excuse for their lack of presence every other session. Because it is hard to focus on this week, I tend to prefer running shorter and sometimes more experimental campaigns on Wednesday nights. I frequently fantasize about someone else running on this night, but know I'd probably not want to play if it isn't GURPS or Call of Cthulhu (the only two systems I seem to enjoy as a player). For this night the plan is:

1. Run Starfinder's Fly Free or Die adventure path to its natural conclusion. This will last until at least June I predict. By running a programmed module series I have taken some of the burden off my shoulders.

2. Look at what I can run after that that fits the same "easy to prep" approach I've got right now. Probably will run a Call of Cthulhu campaign after the Starfinder adventure path concludes. Maybe the Alien RPG? A possibility!

My Wishlist....things I'd still like to do but don't know where they fit in, include:

GURPS Egypt campaign

A Numenera Campaign

A nostalgic revisitation of D&D 3rd edition (don't ask; I'll elaborate in a future blog post)


So...we'll see what time and the unique nature of VTT permit for 2021! Can't wait to revisit this post in twelve months.



Monday, December 7, 2020

Fun at Every Level - A Pipe Dream or Design Reality?

A recent comment on an older Starfinder post got me to thinking: the comment was that essentially the problem with higher level D&D 5E is the inverse of lower level Starfinder, that a high level D&D game  and a low level Starfinder game are painful in comparable ways. There is more than a little truth to it. With D&D 5E there's a good chance you've experienced some measure of fatigue with what happens when the game system, built around exploding hit points, gets to a certain point in play at higher level.* The problem with 5E is not particularly new to that edition; it actually plays much better at high level than 3rd edition versions before it, in fact. The problem is "new' to 5E in the sense that it fixed some underlying issues with prior editions (math complexity, juggling stackables, and too many iterative attacks and modifiers) with a new problem (simpler rules, but the hit point bloat just sucks). 

Starfinder has an entirely different issue: at low level it lets you play what essentially amount to pathetic miscreants. You can barely do anything, and you can afford gear that is one step up from a Laser Tag game. You don't get truly interesting class abilities until about level 4, and you don't start affording scifi weaponry that feels like something not handed to the short bus until around level 6-7. By the time you're level 10 you start to feel like a real adventurer. Starfinder is a victim of its own balancing act, carried too far. I'm running it right now, and my goal is to award heaps of XP tro make the first 4 levels just fly by.

I think Paizo realized this was a problem, too. Pathfinder 2E manages to succinctly balance out the merit of low level gaming against higher levels in ways neither of the other two systems are all that good at. Low level PF2E characters feel squishy, but they have bite. High level PF2E characters are interesting and complex, but fights somehow only last a little bit longer than low level battles do. It's a good design balance, and I love how smooth it is. 

Now, to contrast there are other games out there which handle this very differently, suggesting that the high level/low level problems of some games are more characteristic of D20 systems than they are of, say, Cypher System or Savage Worlds. Those games have their own issues, of course....but sometimes they also have their own built in fixes, too. For example, Cypher System deliberately makes a lot of tasks at lower level trivial and automatic as characters advance in power, but high level play in Cypher is functionally identical to low level play, just with a greater need for sacrifice from the resource mechanic which drives all actions. Meanwhile, Savage Worlds runs on very flat baseline stats, and all the edges and perks a character gains over time are designed mainly to make it easier to hit the target numbers than anything else; the number stay the same. 

Although I think, for purposes of D20, that Pathfinder 2E hits the mark very closely for me, I bet there are still better ways to design a D20-based system which manage to retain the rules simplicity of 5E with the tactical granularity of Starfinder or Pathfinder. These designs might even retain consistent feelings of fun and engagement at all levels of play. If you know of any systems out there that seem to do a better job of accomplishing this than the current era of D20 systems I'd be interested in hearing about them.

 

*This issue with high level 5E is more evident to first time gamers than those who survived 3rd edition D&D, as we all remember the gruesome high level gaming days that 5E "fixed" for our purposes at least!



Hah had a typo in the title. Pire. Shoulda been Pyre! Would be even more odd than Pipe.

Monday, January 6, 2020

2020 Gaming Plans

My tabletop gaming plans for 2020 are very consistent: keep gaming, as much as possible, on the two nights I have free to do it. My strategy toward this end remains simple: keep focused on the game systems that let me maximize my prep to play time, and cater best to my GM style of gaming. So far that means I can safely expect to play more Pathdinder 2nd Edition and Cypher System; indeed, these two games alone encompass almost everything I need in gaming right now for my above outlined requisites. There are other games I would like to try out soon though! These include:

Forbidden Lands - this boxed set which is really just a box to hold two enormous leatherette bound Player and GM guidebooks is an amazing product. It has old school design and a strong focus on exploratory hexcrawl-styled gameplay, with plenty of tools to evolve the story as you go. It's a product so good that even if I can't get my players to try it as a system, I will appropriate its GM content for use in another game.

Alien RPG - this came out in December so I've had no time in 2019 to play it, but for 2020 I would like to run a short campaign at minimum to try it out. I am very much hoping it does what I've always wanted an Alien RPG to do.

Starfinder - I would like to get back to this at some point, especially now that I am looking at the system through "PF2E lenses" which allows Starfinder to make more sense to me.

Cyberpunk Red - I have to be honest....I am not aware of any new games coming out in 2020 that are tempting me right now, other than the hoped for release of the Cyberpunk Red full product. My attempt to secure a print copy of the Introductory Cyberpunk Red has met with continuous failure, but I am very much counting on securing a copy of the final product. 90% of my gaming in college was split between Cyberpunk 2020 and AD&D 2nd edition, so there's a compelling interest for me to get this.

Savage Worlds Adventure Edition - while still being the same game, the new "SWADE" edition of Savage Worlds manages to fix so many little bits and bobs that it's sort of impossible not to love. It fixes things you never knew were broken, but once the fix is seen it cannot be unseen, and I am really eager to play Savage Worlds again, and soon. My only worry is it will take a long time for new updated genre books to arrive.

Outside of the above I keep a small stash of "ready to play" RPGs handy for pick up games, filler sessions, or "we need a break" moments. This bundle includes Traveller (and Cepheus Light by proxy), Swords & Wizardry Complete, White Star and of course Savage Worlds. One game missing from my collection I keep kicking myself about (since I sold it on EBay) was Beyond the Wall, a game which did such a great job of making B/X D&D into something literary and mysterious that I must order new copies again soon, especially now that my son is getting old enough to grokk this stuff properly.

In the end....it is entirely possibly 99.5% of my game time this year is spent with Pathfinder 2nd edition, but I am the GM; my word is law! I just need to put the time and effort into one of these other games to make it happen.



Monday, July 1, 2019

The Current Final Word on Starfinder


So I decided to shelve Starfinder for a while. Here's my basis for the decision:

1. When I start running Starfinder what I really want is a Science Fiction game with Paizo's brilliant graphics and appearance. I am not in love with Starfinder so much as I am in love with how Starfinder looks.

2. When I run Starfinder I find it hard to take seriously because I am so innoculated against the core conceits of the D&D/Pathfinder style universe that blending it with science fiction is hard to do. As a result, I can construct a universe but it feels more like a universe with trappings of Red Dwarf and Battle Beyond the Planets than something more serious, which I desperately want in my D&D types right now.

3. The reason I feel an incongruity after every game is because what I want is to run a hard/serious science fiction game. Starfinder is not the game for such a task. When I run it, I feel like I am distracting my precious life minutes away from a task that would be better suited to the use of said time. Traveller, for example, would fit my needs much better than Starfinder.

4. When I am in the right mood, it is a lot of fun, but I can't sustain it. I haven't pinpointed exactly why this is so (beyond points 1-3) but it is enough to know that if I don't get excited to run it every single week that a session is up then that is enough to shift my focus elsewhere. To contrast: I am always excited for a Call of Cthulhu or Cypher System night.

Also, blame Advent Horizon to a certain extent. It was while trying to prep for AH that I realized that my problem with Starfinder was rooted in the fact that it neither embraces the fantasy nor the science fiction enough to truly become one or the other. And since I've never been a big fan of "mixed genre" SF/fantasy mashups, I lack the critical requisite interest necessary to know what to do with it.

But, most importantly of all.....

5. I have limited time in my life, so even though there's a lot in Starfinder I like, it takes too much time for me to prep, and as a result I need games which cater to that limited time I do have. This is sad....Starfinder makes excellent headway in the "ease of access" zone of D20 based gaming, yet my life is so booked up these days that even with the improvements SF offers I just can't find the proper time to invest myself in it. This, in the end more than items 1-4 above, is the main problem.

You might ask, "Why not read the modules?" and I would point out that for my style of GMing I take far less time to prep a game I design than to try to read and prepare someone else's work. And that's a big part of the problem....I have not got the time (or inclination) to sink into absorbing the enormous amount of Starfinder content I have on my book shelf. And that includes either world building or reading and learning the default Pact Worlds setting.

Doesn't bode well for Pathfinder 2.0.....crossing my fingers and hoping it is excessively user friendly!

Wednesday, May 29, 2019

The In-Universe Reason for Starfinder Gear Level Mechanic


In a thread over on Paizo's blogs people were talking about the weird issue of equipment and levels in Starfinder. The problem is one of framing: Starfinder Core basically says that anyone can use any equipment, but they should normally only have access to gear within 1 level of their current class level of experience. They then leave it up to the GM if they want to break this rule. The core book doesn't provide a ton of reasoning behind this that you can use in-game to explain equipment cost/scarcity, however. Anyway, I posted on the forum over there and then thought it was also worth sharing my ideas here on the blog, too....

I initially (and for quite a while) had issues with the way equipment works in Starfinder, and wondered why the  forced level mechanic wasn't instead simplified, and the "damage" regulated to class advancement instead. I eventually realized that the Starfinder equipment system has a certain amount of brilliance* in it, as the system covers the following ideas (and you can use them as in-game reasons) exceedingly well:

Artificial or Forced Scarcity - this is a universe where combat, adventurers, mercenaries and explorers are the norm; an industry around specialized, advanced and prestige level weapons will rapidly form to take advantage of that and milk the space-mercs for their hard won cash.

Industrial but also Curated and Unique - there is little to suggest that many of these weapons aren't being meticulously hand-crafted and individually modified at some level down the road; spells are enforcing and making weapons more effective, even if the weapons themselves aren't exclusively magic items. The technical side of industrialization probably makes tons of cheap weaponry for lower levels, but the really good stuff takes care and art to produce.

An Economy Driven by Adventurers - similar to the first item above, this is an economy driven largely by people who won't spend much on a fancy dress**, but they will totally splurge on a very efficient plasma cannon. Starfinder's universe is not our world; it's a place where much of the cash circulating in the economy comes from plunder, looting and hitting it big; it's a Wild West anything goes Gold Rush combined with a sci fi Gig Economy, and prestige weapons and armor feed right in to it.

Legality - this really does apply at a certain level in our own world, and it's the reason that most of us, in the US at least, might be able to afford a handgun but we can't get ahold of a light machine gun. Starfinder's trade markets are on the civilized worlds and they probably have laws in place to insure that the really deadly stuff doesn't fall into the wrong (e.g. inexperienced or criminal) hands.

Fate - the great thing about Starfinder is it's a universe with magic and gods. When players grouse that the NPCs never seem to drop high level gear (always coincidentally within 1-2 levels of their CR appropriate loads) it is worth pointing out that such is the will of the gods that the PCs never seem to get lucky and drop a skittermander with a set of level 15 storm polarity gauntlets.

None of the above covers the weird issues with starship care, maintenance and advancement as implied in Starfinder....but that is a topic for another post!

Bonus Idea: if you think Starfinder combat (well, 3rd edition combat in general) is too slow, simply make level 10 and higher weapons "standard" from level 1 and let the players have enough credits to arm themselves to the teeth....just don't forget to do the same for the NPCs! Combat will go real quick, all of a sudden.

Even if you don't do that, if your players are always complaining about not getting that sweet, sweet high tech and high level gear, drop one occasionally as a cool reward (don't tell me you've never let a +5 weapon show up in a level 5 game of Pathfinder...same principle!) ....just remember to make sure that the monster that drops it uses the thing, first! I also suggest taking full advantage of the other "in game" explanation above, and make taking such a powerful weapon on to a space station or in to port a major ordeal when all the alarms go off and the security drones come flying in.


*I still think it could have been done differently, and I think the level-pacing on adancement is too tight; a PC who gets a weapon 3-4 levels higher than they currently are really does unbalance the game, I can say from experience. This is probably not optimal design. I think, to contrast, that Advent Horizon shows how to do this sort of thing well, but in Starfinder's defense it doesn't benefit from the Bounded Accuracy mechanic that AH and D&D 5E use, so work with what you got, not what you want, I guess.....!



**But what about the Envoys, you say? We'll pay for a fancy dress with some serious protection built in! And you would be right, but in the Starfinder universe Envoys are clearly parasites in the mercenary gig economy so whatever, man!