Friday, May 30, 2014
The Elder Scrolls Online - Sinking its claws in deep after a second chance
So I've bounded back and forth a bit on Elder Scrolls Online.
First I decided pre-release that I wasn't going to get into it at all. Then I watched my wife playing in beta and decided it looked like it might be worth investigating, so I bought a copy on some credit a few weeks after release.
What I discovered initially was a lot of fun....and it felt very "Elder Scrolls" to me, having that "thing" that I can only define as what Bethesda --or in this case Zenimax-- can do to make an RPG fun.
Then I started to run into some problems. The first problem was ridiculously long load times. When a game takes 8 minutes from clicking on the shortcut to actually playing, and you only have 30 minutes to play that's a clear sign you need to play another game.
Then I would get in and find horrendous lag was leading to death constantly. Also, I was literally doing it wrong, I figured out later. I'd get in to TESO and forget this is a twitchy combat game, not one where you stand there trading blows.
I decided not to renew my sub at the end, but a few days later I recanted on this decision and decided instead to go back and try it another month. This was actually spurred on at least partially by my adoption of Wildstar, which had an open beta I could jump into. Wildstar is an interesting game and I think I will enjoy playing it, but in the course of messing around in the beta I realized that Wildstar had a lot of "MMOisms" that were actually styles of play I had really burned out on. Static storytelling....bubble balloon dialogue, cartoony WoWish graphics (I knew that in advance, it was not a selling point for me, but the look is actually very stylish and interesting), and a combat system that is a bit different but still much closer to its WoW DNA than...say....Elder Scrolls.
So after a bit of Wildstar I realized that I really ought to go give TESO a second chance. I did so, jumped back in, found some patches that seemed to dramatically improve lag issues (haven't had any lag problems in the last week of playing) and have been having a great time simultaneously leveling up three different characters. Hey, I also discovered that TESO lets you skip the intro sequence once you've done it. This has the unique effect of making TESO feel just like any other Elder Scrolls game where you're just another wanton criminal given an accidental reprieve.
At this point I've decided that for the foreseeable future I'm going to focus on TESO and will also give Wildstar a earnest chance. I'll continue to let Defiance and Guild Wars 2 linger as games I play when the mood strikes (and while it doesn't strike often I enjoy both a great deal when time and interest permit). I've deleted WoW and Rift completely now: I tried to level up in WoW in preparation for the next expansion, but I just can't muster the energy to care anymore. WoW, for me, is a fond memory of a great game from the old days, and the desire to stick with it is just gone. And as for Rift....I'll never reach level cap, and I don't quite know what went wrong with their 51-60 content that it's such a slog to get through, but I will always remember it fondly from the days before it went F2P. As F2P goes Rift is top notch, yes; but there are a lot things that become less important or even counter-productive to the design of a F2P MMO over a pay-to-play version. F2P for example benefits from slower advancement, and markets potions and perks you purchase to speed up experience gain; the older subscription model actively encouraged the designers to come up with bonus experience events for a contrast. The best time to play Rift was the eight weeks leading up to Storm Legion's release, when all sorts of craziness was going on and world events were popping everywhere that were designed to dump metric tons of XP on participants. The post F2P Rift is a painful slog that, if played the way it wants you to, will cost you more than $15 a month in purchases to stay relevant, and as always that means that the only people who benefit from F2P models are those who have no money at all but tons of time, or those with no time but tons of money (and no common sense).
Anyway....its now TESO and Wildstar for me until one or both go F2P!
Thursday, May 29, 2014
The OGL, D&D 5th Edition, and A history lesson
Morrus has a great discussion on Enworld.org today about the history of the OGL, Mike Mearls' nebulous announcement of something to come soon that seems to name drop the OGL while sounding like a discussion of community content, and an overview of what WotC could do down the road. Personally, my money is on some sort of negotiated agreement with One Book Shelf on their dndclassics.com site that lets 3PP sell D&D product in their store with WotC getting a cut, if only because it seems a very Twenty-Teens way of conducting business. I guess we'll just have to wait and see.....
13th Age: Icons and their influence on story
My weekly Wednesday game has been doing 13th Age for about two months now and we've been having a lot of fun, as you might expect. The group has pared down a bit with four actives and three occasional in-and-out players; we lost one player to a job move, too.
The campaign I've been running has been my adaptation of Realms of Chirak into 13th Age. This has been an easy fit because honestly it doesn't take much to run a setting prepped for D&D in 13th Age. I've done most conversions on an as-needed basis, and except for building up Chirak's unique icons I haven't had to add a lot in.
An interesting side effect of using the icons in 13th Age is that they create interesting "markers" for lack of a better word that tell the GM some specific story information....and depending on the scenario you are running it can lead to some creative ways of imagining how those 5s and 6s are going to affect the storyline in complicated or beneficial ways.
Since I'm using Chirak, and employing icons that are tailor made for my setting, it's proving to be especially interesting. For one thing the icons are an easy fit in any established game world because ultimately the icons aren't really a new rule at all: they're a codification of something that every good campaign already has. When you run a campaign setting you likely set up important figures and personas throughout your world, sometimes with the intent that the players could meet them, fight them, slay them or even replace them. Other times you set them up so that they're behind the scenes, influencing things in a way that will benefit or bedevil the adventurers, serving as a mystery in their own right to be solved.
Even traditional sandbox campaigns can do this, unless you run sandbox in an extremely static fashion (an that's certainly been done too). If you create the sandbox campaign in the closest literal sense then you are simply populating your world with static objects, events or individuals that rest in situ waiting for the adventurers to discover them and bring them to life. I think most people don't run the sandbox campaign this way anymore; it's evolved a lot since the early days (an ironic testament to the fact that what we regard as old school today has, itself, undergone its own path of evolution). But that said, if you run a sandbox in a dymanic environment then icons are a great concept to deploy. It lets the GM cluster "big names" in his setting and think about how these big names interact together...and with the PCs.
Icons basically create an interesting dynamic relationship in the storytelling process, as well. The icon rolls you engage in at the start of each session lead to complications, and those complications often mean the GM has to think on his/her feet. "Bert the rogue got a 5 on his relationship with Lady Poe and a 6 on his relationship with the lich king...." turns into a situation where Bert discovers a network of spies working for Lady Poe in the city who will help him....for a price. Meanwhile every undead enslaved to the lich king that Bert meets knows he's one of the fleshy living agents of the lich king for some reason....but they are happy to assist him in any way they can. These are not things that would necessarily ever have a chance of evolving in an ordinary D&D game without creating a deliberate framework; both examples above came about because of icon relationship roles in last night's game; if I had been running Pathfinder it's not clear Bert would have a chance at ever meeting or even caring who either Lady Poe or Malenkin the Lich King were in a conventional game.
Now, one could argue that the icon relationships basically create a preordained background of connections for players....and there's nothing wrong with that, and plenty of games (old school and new) have included the notion of contacts, allies and enemies as a feature of character design. But if it really does bother you, one way to make it more organic is to build the evolution of icon relationships into play. This is honestly how it's normally done....people meet important characters, and either work for, with or against them over time. A GM who used the icon structure to plot out 13 ways PCs could encounter and develop icon relations would basically have a huge amount of scenario potential preordained right there. That alone could be worth the hassle of starting everyone off as true "nobodies" and then letting them build from there.
Wednesday, May 28, 2014
On Amazon and Predatory Pricing
Charles Stross is a very interesting guy. Aside from his brilliant science fiction novels he has a very informative blog, and in this particular entry he discusses the conflict going on between Hachette (a publisher) and Amazon's efforts to force them to comply with what boils down to a dispute over who gets to benefit from the surplus earnings...the distributor (Amazon) or the publisher (Hachette). I won't repeat what Charles has discussed, though, as he talks about it more eloquently and with better information than I.
What is especially interesting to me is his discussion on the predatory pricing model Amazon employs. This is a big answer to me about why prices on the Kindle are always cheaper than prices on the Nook, with only certain big-name publisher titles generally being the exception. He has an earlier 2012 article that discusses the general Amazon strategy and its use of predatory pricing in more detail here.
I've talked about the pricing issue of Amazon vs. Nook in other posts, but reading Charles' entries on the subject has left me with a bit of a bad taste in my mouth towards Amazon. While I like the savings, knowing that that savings comes at a long term cost on the impact of the overall heath and financial well-being of the authors I like is not something that sits well with me. I strongly believe in the necessity of consumers learning to appreciate the value of the creative content which the consume, and as an author myself when I can get the time to devote to it I know it's no small amount of effort to go from reading a good book to actually writing one.
There are still plenty of authors on Amazon's Kindle shop that I can't get anywhere else. If that's the only place I can purchase their goods and support them, then so be it. I haven't yet heard any negative commentary on any Barnes & Noble Nook practices, so maybe I need to just accept that sometimes, for my own personal conscience, the value of saving a dollar or two in exchange for a clean conscience is worth that much. I already do this with Walmart (I do not shop at Walmart except in desperation) so applying that same standard to Amazon isn't too much of a stretch for me.
What is especially interesting to me is his discussion on the predatory pricing model Amazon employs. This is a big answer to me about why prices on the Kindle are always cheaper than prices on the Nook, with only certain big-name publisher titles generally being the exception. He has an earlier 2012 article that discusses the general Amazon strategy and its use of predatory pricing in more detail here.
I've talked about the pricing issue of Amazon vs. Nook in other posts, but reading Charles' entries on the subject has left me with a bit of a bad taste in my mouth towards Amazon. While I like the savings, knowing that that savings comes at a long term cost on the impact of the overall heath and financial well-being of the authors I like is not something that sits well with me. I strongly believe in the necessity of consumers learning to appreciate the value of the creative content which the consume, and as an author myself when I can get the time to devote to it I know it's no small amount of effort to go from reading a good book to actually writing one.
There are still plenty of authors on Amazon's Kindle shop that I can't get anywhere else. If that's the only place I can purchase their goods and support them, then so be it. I haven't yet heard any negative commentary on any Barnes & Noble Nook practices, so maybe I need to just accept that sometimes, for my own personal conscience, the value of saving a dollar or two in exchange for a clean conscience is worth that much. I already do this with Walmart (I do not shop at Walmart except in desperation) so applying that same standard to Amazon isn't too much of a stretch for me.
Tuesday, May 27, 2014
Basic D&D is a fully functional and free edition of the game
Morrus at ENWorld describes it far better than I could, and of course you'll probably have seen this everywhere else as the news is now pouring pretty freely on D&D news.
Pretty cool idea. I think this lowers the chanes of an OGL or SRD at this point, but it sounds like WotC has decided that the real benefit of the OGL (to them) was the online accessibility of the rules for players who couldn't pony up for a rulebook, and that making the core rules free will accommodate that.
It also means that WotC is trying hard, or so it seems, to court the older pro-OSR crowd by offering a full-featured but pared down version of the rules online. The price point is right....free directly competes with and in many cases beats most other OSR games out there.
The question still remains: how will one be able to publish content for 5E? At this point, if they don't offer up an OGL then maybe they can at least announce some very 3PP-friendly licensing agreement, or a tacit acknowledgement that the gaming community likes to publish content for D&D and can do so without worrying about draconian GSLs.
Pretty cool idea. I think this lowers the chanes of an OGL or SRD at this point, but it sounds like WotC has decided that the real benefit of the OGL (to them) was the online accessibility of the rules for players who couldn't pony up for a rulebook, and that making the core rules free will accommodate that.
It also means that WotC is trying hard, or so it seems, to court the older pro-OSR crowd by offering a full-featured but pared down version of the rules online. The price point is right....free directly competes with and in many cases beats most other OSR games out there.
The question still remains: how will one be able to publish content for 5E? At this point, if they don't offer up an OGL then maybe they can at least announce some very 3PP-friendly licensing agreement, or a tacit acknowledgement that the gaming community likes to publish content for D&D and can do so without worrying about draconian GSLs.
Monday, May 26, 2014
GURPS Dungeon Fantasy Characters
With the holidays and a busy work schedule combining to make time a precious thing, I have gotten a bit behind in my blog schedule. So for today I offer up this interesting bit of interest from my archives: in this case, it's a trio of Dungeon Fantasy characters I worked up sometime back for use with GURPS Dungeon Fantasy. If you're not familiar with GURPS DF it's basically a high-powered simulation of classic D&D style dungeon mayhem, but of course using the ultra-realistic point-based rules of GURPS. There are 17 books in the series now, including one of the rare and coveted GURPS bestiaries (they don't have nearly enough good bestiaries out for GURPS 4E IMO) and a scenario that's pretty decent, actually. The only thing that has ever prevented me from getting GURPS Dungeon Fantasy going is that it's A: hard to sell the local gaming groups on, B: GURPS suffers from too many stray moving parts and not enough prefab content for my busy schedule, although Dungeon Fantasy does alleviate a lot of that issue, which leads to C: it starts at 250 points and I'd really rather it started with about 100 points less.....but all the templates and designs in G:DF presume 250 point starting builds.
Thursday, May 22, 2014
Some of the Player's Handbook will be free online
If you somehow haven't stumbled across the news, Enworld gathers it all up. New 5th edition highlights:
1. 15% of the Player's Handbook will be posted as free online. Presumably that's the chunk of the character generation that will bridge the gap for players with the Starter Set. This right here is a huge plus in my eyes, as it guarantees at least a minimum level of buy-in for the right initial price by my players who are reluctant to pony up for a new game.
2. the DMG will have sidebars with slidable customizers (or something) which let you tailor your version of the game to match your preferred older edition. Interesting to see how this will work....
3. New D&D movie ...yeah whaddevah
4. Villainous organizations in the Monster Manual. Cool, good idea.
5. The Flumph is in the MM. If it looks anything like Pathfinder's reimagining I will be happy.
1. 15% of the Player's Handbook will be posted as free online. Presumably that's the chunk of the character generation that will bridge the gap for players with the Starter Set. This right here is a huge plus in my eyes, as it guarantees at least a minimum level of buy-in for the right initial price by my players who are reluctant to pony up for a new game.
2. the DMG will have sidebars with slidable customizers (or something) which let you tailor your version of the game to match your preferred older edition. Interesting to see how this will work....
3. New D&D movie ...yeah whaddevah
4. Villainous organizations in the Monster Manual. Cool, good idea.
5. The Flumph is in the MM. If it looks anything like Pathfinder's reimagining I will be happy.
Wednesday, May 21, 2014
Amaya
Phillipine historical action and adventure in the form of Amaya, with three episodes up on Viki, a service I'd never heard of until I stumbled across this amazing show.....check it out!
Viki has it here, but I can't get their embedded link to work so here's a youtube trailer instead:
The Viki episodes are subtitled, FYI!
From Viki's page:
"Amaya" is a Philippine historical fiction and period drama created and developed by Suzette Doctolero and directed by Mac Alejandre with Marian Rivera in the title role. This show is about the Philippines prior to being conquered by the Spaniards. It is set in Panay Island in the mid-1500s.
....very cool.
Viki has it here, but I can't get their embedded link to work so here's a youtube trailer instead:
The Viki episodes are subtitled, FYI!
From Viki's page:
"Amaya" is a Philippine historical fiction and period drama created and developed by Suzette Doctolero and directed by Mac Alejandre with Marian Rivera in the title role. This show is about the Philippines prior to being conquered by the Spaniards. It is set in Panay Island in the mid-1500s.
....very cool.
Wildstar
I'm going to blame this one on Tobold because he keeps talking about it, and also because despite the fact that I don't feel all that much "in" to cartoony looking graphics, I have already burned out on TESO's palette of browns so maybe....just maybe...I can overlook the space gophers.
Anyway, thanks to a medley of coupons at Green Man Gaming and some credit I decided I could pick this one up for its release in roughly 10 days with the headstart....
Anyway, thanks to a medley of coupons at Green Man Gaming and some credit I decided I could pick this one up for its release in roughly 10 days with the headstart....
Monday, May 19, 2014
Kobold Press doing the Tyranny of Dragons Modules for D&D 5E
Well that's really interesting. Kobold Press (alias OpenDesign) is the studio writing the two new modules for D&D 5th Edition coming out later this year.
Still no word on whether 5E will be equipped with an OGL. Would be really nice.....really, really smart....
Still no word on whether 5E will be equipped with an OGL. Would be really nice.....really, really smart....
D&D 5th Edition Dates and Covers Announced
Thanks to Dyvers for his post bringing it to my attention. We have dates! At last:
D&D Starter Set release date July 15
--it says it will contain content for 1st to 5th level, so positioned to occupy the same space as the Pathfinder Beginner Box.
Player's Handbook August 19th
Monster Manual September 17th
Dungeon Master's Guide November 18th
Also, two modules were announced: Hoard of the Dragon Queen (August 19) and The Rise of Tiamat (Oct. 21). There will be a 44-figure minis release in 4 figure packs as well beginning in July.
So, a staggered release (like was done prior to 4E). I am hoping the Starter Set will offer enough content to keep play going as the subsequent books release.
Anyway....very excited about this news, and love those covers. Two months and I might be playing D&D again....ah, the perilous but simple joys of a D&D gamer.....
D&D Starter Set release date July 15
--it says it will contain content for 1st to 5th level, so positioned to occupy the same space as the Pathfinder Beginner Box.
Player's Handbook August 19th
Monster Manual September 17th
Dungeon Master's Guide November 18th
Also, two modules were announced: Hoard of the Dragon Queen (August 19) and The Rise of Tiamat (Oct. 21). There will be a 44-figure minis release in 4 figure packs as well beginning in July.
So, a staggered release (like was done prior to 4E). I am hoping the Starter Set will offer enough content to keep play going as the subsequent books release.
Anyway....very excited about this news, and love those covers. Two months and I might be playing D&D again....ah, the perilous but simple joys of a D&D gamer.....
Revising Chirak
I published The Realms of Chirak in early 2009 as a campaign book written for use with 4th Edition. This was largely made possible by how much more accessible 4E was to DMs than any prior edition; the mechanics of creature and NPC design were much easier and more transparent than in 3rd edition, and I avoided publishing anything for 3E back then because, even though I had a fully statted 3E version of Chirak I wasn't comfortable with the sort of scrutiny the game's giant stat blocks invited from the more rigorous members of the gaming community.....or to put it another way, I knew the stat blocks worked okay for my needs, but didn't (in my estimation) work for the gaming community at large. 4E was a different beast however, a much cleaner and more transparent system that made a decent adaptation easy.
Anyway, I'm working on a revision....I've run roughly 200+ sessions of weekly scenarios set in the Realms of Chirak since since it went to publication, many of them in Pathfinder, Runequest and now 13th Age. The new one I'm working on is either going to be branded for 13th Age, D&D 5th Edition (conditional to that even being a possibility) or maybe a generic tome designed for use with any D&D-like. I do have a Pathfinder version I've worked on, and while I am much more confident these days in the mechanical integrity of the stat blocks I also have a lot more work to do to complete them....and I just cannot find the energy to make it feel worthwhile. Who knows, though....my perspective could be quite different after August comes and goes.
Anyway, what follows is the first part of my new revision to the introduction in the book....
The Realms of Chirak, Revised Edition
Introduction: How the World Came to its
End…and a New Beginning
In today’s
era of exploration and discovery much lore about the past has been uncovered by
intrepid scholars seeking to understand the forces that made our world. The
modern world of the Realms of Chirak are a legion of small kingdoms who aspire
to greatness, but know they build upon the ruins of those who came before, who
mastered a sorcery so great that none today could conceive of just what it was
like to live in such fantastic times. The world of old had gods; the world of
today has pretenders who seek out the shattered remnants of the ancient Zodiac
Stones that powered the old gods.
In this lost
age of humanity had grown powerful. Mankind lived in a world of magic and
technology, merged in unique ways, allowing humankind to journey to other
worlds, other planes of existence, and even cheat death. Sorcery, drawn from
the lifeblood of the world’s spirit was so ubiquitous that to be born without
talent was to forever be of a lesser station in life. Humans were not alone,
either. The power of magic and the mastery of alchemy had led to the creation
of many servitor races. Minotaurs were among one of many bestial races uplifted
by the curious hands of sorcery. Animates were men of wood, metal and other
inert material suffused with elemental life. These races and others were
created by humanity to serve and obey. Such was this time that men were like
gods.
But men were
not gods, for there were already twelve deities who presided like potent
elemental storms over humankind and all the world. Among the men of Chirak
being a god meant being a caretaker of a great font of power, perhaps the
greatest such power one could ever attain: a Zodiac Stone. The Zodiac Stones
were indelibly associated with the twelve signs of the Zodiac, each of which
was a pattern in the sky of stars that intersected with one of the twelve
roaming planets in the sky, many of which were otherwise invisible without a
magical or telescopic means of observation.
Man, in is
technomantic might, had visited all of these worlds, spread to them, and
interacted with their neighbors. It was through this means which certain races,
such as gnomes and ogres came to reside on Chirak as colonists over time. But
in the course of his voyages these planetary explorers discovered that each of
the twelve worlds of the sky, plus Chirak, carried within their cosmic makeup
an indelible imbuement of infinite power. This divine energy could be harnessed
by the Zodiac Stones, which had existed since the stone age of man on the world
of Chirak.
In the
prehistoric era of humankind the Zodiac Stones were said to have fallen from
the sky, and that there were twelve such powerful stone. There was a rumor of a
thirteenth stone, one which encompassed the might of the other twelve, but no
god in known memory has ever possessed this stone…so far as history recalls.
The gods of
prehistory were different than were during the height of humanity’s
technomantic society. The Zodiac Stones demanded much of their bearers, a
sacrifice that was great, albeit in exchange for access to divine power,
immortality of the flesh, and a legacy that could last ten thousand years. For
much of the rule of man the gods were ever present, and on occasion one would
relinquish his control of a Stone to a new, young candidate for the future.
Occasionally strife might take the life of another, for gods could still be
killed even if they were ageless and immune to disease. Once in a while a god
simply disappeared….and his Zodiac Stone was left behind to be claimed by the
first person of sufficient hubris.
Over the
eons the power of the gods grew, the reverence was great, and the knowledge
they granted their followers flowed freely. This eventually led to the time of
greatness, the time when humanity was at its peak of power, and was surrounded
by many other intelligent kin, including those who were from other planets,
from other planes, or had been created by the alchemical hand of man. It was at
the apex of this time of greatness that the Apocalypse descended upon all. Both
god and man had grown too great, their hubris too powerful to escape a fall
into oblivion.
The time was
nearly twenty-seven hundred years ago from the current era of man. In this era
there were several great empires, powerful dominions which had mastered their
world as well as gained control of other worlds and planar realms beyond.
Cities floated in the skies, nestled upon high mountain peaks, or even spread
into the sea; there was no environment man had not conquered. The greatest of
the old empires was the Mythric, an empire of unparalleled might which
dominated commerce and military control of the space lanes and planar portals.
The Mythric Empire was the emblem of power in a time when few worlds could
conceive of such might in the hands of man.
The Mythric
Empire competed with several other dominions for total control, but the strife
was carefully orchestrated to insure that the competition on spurred the
citizens of the world on to greater levels of success. Against the Mythrics
were the people of the Inadasir, the Occultics, the Eshadai and the Yin, the
Abraheili and the now lost Southern Empire who in later years would suffer a
terrible fate worse than anything. At the dawn of this age these empires
coexisted in a rough peace, with conflict carefully structured only to promote
growth and development.
There were
twelve gods at the dawn of this era, powerful beings who had already held on to
their divinity for up to ten thousand years or more in some cases. These were
old gods by the standards of the time, deities who had so enmeshed with their
Zodiac Stones that it was believed they no longer remembered what it was like
to be merely mortal.
The gods,
however, were restless. The people of the world worshipped them and sought them
out for advice. The kings and emperors of other worlds were entranced with
their power, and the kingdoms of twelve worlds sought to invite the patron
deities to their dominions for the blessings they offered. The planar realms loomed, a product of the
vast tapestry of creation in which all realities of an infinity of realms
refracted away from Chirak, creating mirror worlds of endless variety, and the
gods found these curious realms fascinating for a time…..but even after ten
thousand years the spectacle of infinity itself could no longer sustain the
interests of such beings who held such power, such vision.
How exactly
the end began is a matter of great speculation for those who have the resources
and ancient literature to speculate upon. Some say it was as simple as boredom
spawning out of the contentment of the age. Others suggest that power and greed
were motivators; that those gods labeled the Betrayers were not satisfied with
the rigid order that had been imposed on their ways and they conspired to
eliminate their rivals entirely, to sew chaos for its own sake. Still others
feel that it started harmlessly enough, just a minor grievance that might have
been settled by the carefully cultivated practice of controlled conflict in
that era, and that something spun out of control; someone’s hubris took the best
of him, and a slow process of escalation began. Before anyone knew it, they
were over the brink of no return and the Final War fell upon the ancient
civilizations of the world, made infinitely worse by the direct participation
of the gods and their vast armies of planetary and planar beings.
Some suspect
that the betrayer gods delved too deep into the fabric of the cosmos, and
discovered dark truths about the underpinnings of reality which drove them to
madness, creating a dark obsession within their guts to remake the universe in
an image they found more suited to their tastes. There is some precedent to
this suggestion, for whatever dark magic filled the world on the final days of
the war, it is certain that unalterable damage was done to the world. No matter
what direction one sails in today, you will eventually reach the storm front of
an elemental chaos at the edges of the world that consumes all who enter it.
Such dire magic was truly the final resort of the mad gods who were willing to
sacrifice all for victory.
The
historians who have studied this era have found it difficult to piece together
the full history of what transpired. So much propaganda was spread, and so much
misinformation as the great empires of the world ramped up from wargames to
full out wars that separating fact from fiction is difficult. Much of the lore
from this era comes from soldier’s journals, unique pieces of history that
describe in shocking details the immense destruction that was unleashed during
the war. What is known is that the “war” was believed to have started some six
hundred years before it culminated in a day of apocalyptic destruction, with
the murder of a god. But even before that god named Zephrys was betrayed and
slain there was another murder, two thousand years prior, that was the seed of
all destruction yet to come. It was with that assassination that the traditions
of generations ended, and a cascade effect began. And it all started with one
ambitious young minotaur named Minhauros, who earned the trust of his divine
master, and then stole his power.
The gods of
Chirak could create servants, imbued with a portion of divine power by means of
a ritual which allowed them to remove a sliver or shard of their Zodiac Stones
and place them with their chosen servants. This was a common practice in a time
when having allies strong enough to stand up against one’s divine enemies was
useful. Minhauros was one such agent, chosen by the goddess of the Taurus Stone
then known as Yvartes. Yvartes, according to a fragment of lore from a tome
kept under lock and key in the Librarium of Eristantopolis, was a stern and
cruel woman but also well regarded for her alchemical talents. She was believed
by some to have created the tauric races, including minotaurs, gnolls and other
beasts some ten thousand years ago as servitor races, lesser sapient species
designed to fight wars for mankind. It was during her travels in the southern
lands of Huron that she met the shaman known as Minhauros and grew fascinated
with him, taking him on first as guardian, then servitor, and at last as lover.
Yvartes groomed
Minhauros for the rank of private captain on her guard. She eventually trusted
him with a sliver of the Taurus Stone, making him a servitor of divine power.
Minhauros served Yvartes for decades, but in the back of the minotaur’s mind he
was always scheming, always seeking out some means of gaining more power.
Exactly how
Minhauros learned of the means to kill a god remains unknown. Thought one could
with luck and perseverance kill a deity, the odds of successfully doing so are
so infinitesimal that even daring to succeed is sheer folly. Minhauros,
however, did succeed. One rumor is he found the secret of the so-called “God
Killer” weapon, a fable which has never proven true. Another was that he
managed to gain the trust of other servitor captains of Yvartes, and that as
one they turned on her, after which Minhauros then killed his allies to steal
their shards of power. A third tale is that he did the opposite; killing his
fellow servitors, and using the greater combined power of multiple shards to
strike a fatal blow at Yvartes.
In the end, the
result was the same: Yvartes was slain, and Minhauros held the power of the
Taurus Stone. Though his action was heinous and the other gods moved to punish
him, much to the surprise of the Twelve Ga’Thon, Malib and Zephrys refused to
punish him, demanding instead that his right of power by action be granted.
This shocked the other gods, who refused such clemency and instead cast
Minhauros down, sentencing him to the Abyssal Realm as punishment. Their only
concession was that he would be allowed to retain his power over the Zodiac
Stone he had seized; they would let him lose it in the same manner as he gained
the stone, or so historians suggest.
Minhauros
dwelt in the planar realm of the Abyss for decades, perhaps longer. He learned
of the nature of the demon races and mastered them, teaching himself the chaos
magic that the demons used to mold and shape themselves through the primordial
magic of alchemy into something stronger. He reached out to the mortal plane
from his dominion in the Abyss and offered the same corrupting magic to other
races who were easily temped, including the Xylom of Perdition.
Minhauros
met another exiled prisoner named Shaligon during his time in the Abyss. The multi-limbed
shapeshifter was a criminal and mass murderer, a cruel woman (and man) who had
committed terrible crimes centuries earlier and had been condemned to eternal
imprisonment in the Abyss, a common punishment for the worst criminals of the
old empires at that time, and the basis for many modern beliefs that evil men
find themselves dragged down into the Abyss when they die.
Shaligon, it
turns out, had a secret: she was studying under the tutelage of Megdinon, one
of the Twelve, whom himself had found a home millennia before in the Abyss.
Megdenon and Minhauros fast became allies as he revealed his tapestry of dark
plans for the future. This was not to last however, for it was in short order
that Minhauros realized the greater value of a young, powerful ally in the form
of Shaligon. Minhauros worked closely with Megdinon to learn how to become a
true god, and to gain great power from the worship he received from the demon
races. He sparked within the demons the seed of even greater chaos, and from this
spawned the first of the Demon Lords, who were themselves like lesser gods.
Minhauros’s aspect was suffused with chaos throughout this time, and he in time
became as close to a demon as he could get.
After
centuries of study Megdinon felt Minhauros was worthy of joining the Council of
Twelve, the sacred insititution at which the gods had convened for one hundred
thousand years. They stole their way out of the Abyss, backed by an army of
demons from the planar pit as well as the forces of Perdition and made their
way to the Council of the Twelve, to rightfully take their two places at the
thrones of the gods. The initial conflict was quick and brutal, but the other
gods were not prepared for the chaos that Minhauros and Megdinon had mastered;
the servitors of the other gods were defeated and the gods were forced to
reconcile with the elder god and his prodigy. It was reluctantly agreed that
they would allow Minhauros entrance on the council by virtue of his heritage
and ownership of the Taurus Stone. The other gods now agreed: letting Minhauros
out of their sight had been the wrong choice, and letting Megdinon explore the
darker nature of the chaotic realms of the planes was an even greater
oversight. The only way to insure that these two did not do more harm was to
watch them closely.
At this time
the gods who ruled included the wise and beneficient Akquinarios who was the civic god of the Mythric Empire, the
dualistic Pornyphiros who always
offered both sides of every tale, wise Gerigos
who sought to spread knowledge and peace, stern Durinalia who despised weakness, kind Zephrys who sought to bring out the good in all, secretive Ga’Thon who studied the mysteries of the
cosmos, harsh Med’iniel who sought a
way to the glorious days of the forgotten past, brilliant Pallath who studied the workings of the Sun itself, Malib, the dour lord of death and
darkness, and Ithenor, who had
sequestered himself deep beneath the world’s oceans.
The young
god joined the council with surprising humility, and for a time it looked as if
Minhauros at least understood his place in the cosmic scheme. This was not to
last, however, for it was only a matter of time before he struck again, to
further cement his power base. Minhauros had the attention of Megdinon, who was
just now beginning to realize that his fever dream of a new world born out of the elemental chaos was a
genuine possibility. It was not long after that Ga’Thon approached the two, and
revealed even greater visions: in his cosmic wandering he had discovered
ancient secrets about the very fabric of reality itself; he felt that he had
uncovered the means by which they could literally rewrite existence, to reform
it in a world of their own liking. He could not do it alone, however; the might
of the other gods was too great. He needed help to do this, and those who aided
him would reap the glory of a universe in which they had ultimate control and
design. Ga’Thon revealed that he already had an ally: Malib, who rested in the
depths of the earth, ruling over the dominion of the dead.
With this
meeting a special secretive council was formed, one known in later times as the
Betrayer Gods by its enemies, though no one can say what they called
themselves; visionaries, perhaps, or the true gods of a new era of creation.
With Ga’Thon’s secrets, the mighty demon armies of Megdinon, the undead horde
of Malib and the power of Minhauros these four felt that they could at last
change the nature of the cosmos to favor their dark designs.
Six
centuries before the day of the Apocalypse the Betrayer Gods convened for one
final session of preparation. Ga’Thon had called upon cosmic powers of chaos
which were ready to bring havoc upon the world. Minhauros had forged an army of
disenfranchised races and demons under his command, ready to strike against the
complacent human empires. Malib had pulled terrible power from the realm of
shadow to forge a vast army of the dead, and Megdinon had a seemingly infinite
army of demons awaiting his command. Megdinon’s eager lieutenant Shaligon was
ready to lead this army into war.
The tipping
point was the assassination of the benevolent got Zephrys. Minhauros gathered a
trusted cadre of vile warriors and mages around him and trained them in the art
of god killing. Each was imbued with a fraction of his power, a shard of the
Taurus Stone, to aid them in battle as servitors. He sent his two greatest
agents, Orgain and Hadrakor, to strike at the god who had once vouched for him
on the grounds that all beings held some good to be nurtured: Zephrys. He sent assassins to the other gods as well,
but each was sent with a failsafe, in which failure led to the dissolution of
the fragmentary shard of power they had been granted to avoid being identified
should they fail.
The
assassins who sought out Zephrys succeeded, but not before Zephrys turned the
tables on them and managed to hide his own Zodiac Stone to prevent Minhauros’s
assassins from seizing control of it. It was known that dead flesh could not
sustain the power of the Zodiac Stone; even Malib, lord of the dead, dare not
join his creations in undeath for fear of losing his own power. As Zephrys was
mortally wounded he cursed his two assassins to each carry a third of the Libra
stone in their own chests, after they had been in turn killed during the
attack. The final portion of the stone was in turn carried by Zephrys…..or a
simulacra of such, who spirited it away. The assassins, none the wiser for
their curse as was part of the magic returned victorious but shamed that so far
as they were aware the phantasm Zephrys summoned had escaped with the entire
Libra Stone. Minhauros was furious, but still he had gotten his wish: another
enemy eliminated.
All other
attempted assassinations failed, though the strike against Ithenor was badly
injured and retreated into the darkness of the oceans once more for a very long
time. Nonetheless, the other gods were alert: they had been attacked, and a
great effort to destroy them had been narrowly squelched. It took little to
determine that it was Minhauros, the only known assassin of gods on the
Council.
The early
days of the war focused on vengeful armies forged by the gods themselves on a
crusade to the world of Perdition where Minhauros fled to vast bastion of
darkness, and into the depths of the Abyss itself to eliminate the forces of
Megdinon. In these early days the battles were carefully focused on off-world
locations, to keep the peace in the Empires of the world.
Eventually
the forces of one god or another would weaken and be forced into retreat or
even surrender. For much of the six hundred years that conflict raged and
escalated things fell in this manner. War would die down, treaties would be
signed, divine proclamations of exile would be announced and things would go
quiet for a bit before another uprising, another amassing of power and another
furious attack. The gods of the Council spent most of their time reacting and
not enough time considering what the strategy of their enemy was. For much of
this time they had no knowledge of Ga’Thon or Malib’s interests in these
battles with the demon hordes of Megdinon and Minhauros; they were shocked and
surprised when it was at last revealed that the incursions of chaos were in
fact all the workings of Ga’Thon himself, and his acts of destruction proved
far greater than anything the great armies had yet caused.
Behind all
of this the Betrayer Gods had a plan, one in which they pushed and fought for
attrition, to force social change and to breakdown the orderly nature of
society. They looked for great weapons, and found them in strange places. When
at last their grand vision was revealed it was with the use of a powerful living
weapon: the draconic goddess Tiamat, who was due for rebirth, and who’s very
being was believed to be a goddess of another plane, the first one to be born
into this world of gods uniquely tied to the Zodiac Stones. In darker corners
it was said that Tiamat contained within her the seed necessary to unmake
entire worlds, and indeed the Betrayer Gods had a direct plan to use her as an
ultimate weapon as well as a catalyst for the change they desired….but forces
opposed to them realized what was transpiring and slew the divine goddess as
she was born; this caused an explosion of violence as the dragonkind rebelled
and joined the cause of the Betrayer Gods, who in turn pulled away from the
Council during this brief period of peace and engaged in an all-out war against
the forces of the opposition. Some accounts claim this period lasted forty
years, but there is evidence that such transcriptions were wrong and it only
lasted forty days.
In the end, it all culminated in one final day
of destruction commonly called the Apocalypse. Ga’Thon, tired of waiting and
scheming unleashed the full cosmic might of his chaotic energy upon the world,
engorging his form to millions of times his original size as he allowed the
energies of some distant Far Realm to pour into his being. Minhauros and
Shaligon, who had seized the power of Megdinon when he was badly wounded and
used the power of her stone to forge an army of her own called orcs drove hard
against the great empires and the armies they used to back the defending gods.
Malib’s power boiled the undead of the world to the surface, giving hideous
unlife to every creature that fell on the battlefield.
What
happened next was a rapid succession of death and destruction culminating in
the death of the gods. The destruction was so vast, the repercussions so potent
that no accurate historical treatment has been given, but the best scholars of
the order of the Preservationists roughly agree on this chain of events:
First,
Ga’Thon began to grow, drawing on the chaos energy at the edge of creation. He
pushed his way into the planar realms and began to devour the fey realm itself,
destroying the Feywild entirely as he absorbed its mass. Soon his
chaos-engorged form blotted out the sun as his full mass entered the physical
plane, even as tendrils of chaos reached out to the solar orb and engulfed it.
Gerigos, Durinalia and Med’iniel all fell during this event, unable to stop
Ga’Thon. Then Pallath attempted to slay Ga’Thon, realizing what he intended,
but was instead killed by Minharos and Shaligon; he fell to the earth like a
meteor and was destroyed. Malib’s army of darkness and Minhauros’s demon forces
had all but slain the entirety of the Mythric Empire; Malib’s prodigy,
Piscrael, saw a moment of opportunity to strike and steal his master’s power
but it was at that moment that Akquinarios drowned the army of the dead and
flooded the rift of the Abyss with a vast body of water formed from his own
mass. When it was done the armies were gone, but so was the Mythric Empire, and
Akquinarios perished in his own grief at the vastness of the destruction; not,
however, before he grabbed Minhauros, ripped the Taurus Stone from his chest
and cast him into the depths of Limbo itself, a gigantic floating corse.
Elsewhere a
despairing Ithenor gave up her Zodiac Stone entirely and allowed thousands of
years of restrained aging to take her, for she could not sustain herself in the
wake of such destruction. But the greatest sacrifice came next when
Pornyphiros, realizing that his allies were falling all around him, seized upon
the excessive loose divine energy which had formed into the exotic natural
phenomenon known as the Divine Wind, to unleash a torrential fury upon the
Betrayer Gods. His harnessing of so much energy ruptured the westerlands of the
world but it engulfed Shaligon and ripped her to shreds; Shaligon in a moment
of panic placed her own spiritual essense, her soul, inside the Scorpio Stone
itself and in this way a portion of her lived on, but the Divine Wind met the
chaotic mass of Ga’Thon head-on and ripped through the chaos god like a storm
of razors. Ga’Thon was slain, and the vast energy of the Divine Wind was spent
at this time. Pornyphiros turned to stone, his dualistic form frozen in the far
west as a testament to his sacrifice; Ga’Thon’s body plunged into the lands
below forming the Kossarit ranges as the elemental chaos converted his flesh
into earth, stone and other elements. Much of the armies fighting in the west
were annihilated in this single instant of destruction.
When the
dust had settled, there was a vast sea, to one day be called the Sea of Chirak,
where the entirety of the Mythric Empire once rested. A vast and horrifying
mountain range rested like an immense barrier in the west, testament to the
death of Ga’Thon. Buried within the Kossarit range was a great rift of basalt
called the Weeping Wall, where evidence of the horrors endured by the Feywild
as it was destroyed could be seen. An
immense crater where Pallath fell had obliterated an entire nation. In the
south the armies of the Southern Empire had been engulfed in a sea of volcanic
lava. Across the world a great, seeping elemental chaos brought about by
Ga’Thon slowed to a near standstill, though it did not cease entirely; to this
day the elemental chaos creeps at the edge of the world, devouring inches or
even feet of soil per year. One day, scholars say, there will be nothing left
if someone does not learn to harness the lost power of the Zodiac Stones and
use that power to stop the destruction Ga’Thon began.
The people
of that time crawled from the wreckage, their divine energy depleted, sorcerous
power all but exhausted by the actions of the gods. Once great machines of
technomancy had ruled the skies but now they were almost all destroyed, and
what few relics were left were nearly depleted of power. The many races forged
by man were suddenly free….but they were so few, and lost without the great
leaders and gods of the old era. Horrible storms ravaged the land for a
century. The planar beings known as fey who were migrants from the Feywild went
mad as a whole, and only the youngest among them who had been born into the
material plane survived the mind-searing madness of the loss of their planar
homeland. A few beings prospered, or at least survived; Animates, long used to
serving as the front line workers and soldiers of the human empires found
themselves free of their masters, and began to consolidate their existence into
strongholds that were once factories. Their logoi,
once control operators for their mystical creation engines, became like gods to
them, and so they rode out the storms, refining their existence from one of
servitors to fully realized beings.
During this
first century there was one man, said to have been a wise scholar and priest
who once served Akquinarios as a servitor. He did what he could to rally
humanity, to find the pockets of civilization that had not been ravaged by the
destructive power of the gods, and taught them how to survive with the fallen
technomancy. His name was Chirak, and when the storms at last abated, and his
teachings were three generations old, the people of the new inland sea named
the body of water after this beneficient traveler who taught them how to live
again. So was born the Sea of Chirak, and the Realm of Chirak. The name of the
old world was lost to memory, but the new world was ready to look forward.
Friday, May 16, 2014
The Witch of Galitath for Magic World
Continuing my adaptation of Pergerron to Magic World, I look next to the revision of the Witch of Galitath....
Terragia - The Witch of Galitath
STR 13
CON 16
SIZ 10
INT 21
POW 24
DEX 18
APP 20
Move 10
Hit Points 26
(immortal/heroic HP)
Damage Bonus +0
Magic Points 24 (plus staff)
Skills: Bargain 90%, Climb 40%, Dodge
50%, Insight 100%, Listen 70%, Hide 90% Move Quietly 90%, Nature 95%, Physik
90%, Potions 110%, World Lore 90%
Armor: none,
but she has 12 points of natural resistance against non-magical, unenchanted
attacks
Attacks: by
staff 85%, 1D8+1D6 damage plus special (see below)
Traits: Sorceress
(see spells below), immortal, helm of technomancy, regeneration (1 HP/round)
Terrain: any area in the
Barbarian Lands of Galitath
Staff Special: A Staff of Power
(24 MP), +1D6 damage (1D8+1D6 total)
Helm of Technomancy: Terragia's decorative
helm contains ancient technomagical secrets which let her speak with and
control the meks (see killer robots, page 359 BRP, but no ranged weapons) who
serve her so willingly. Her helm also allows her to ethereally cut a portion of
the katra of willing target away, and
implant it in the ether engine of a mek to power it. An unwilling target of
this effect (which she can do once per day) must make a resistance roll vs.
potency 20. The target loses 1D6 POW but gains 1D4% per point of POW loss in a
skill of choice. The experience diminishes the spirit but the immaterial bond
with the mek proves an enlightening experience. Once one's katra has been
bonded to a mek, that mek will always behave as a friend and protector to the
donor (so long as he/she lives).
Immortality: Like all demiurges,
Terragia has a form of immortality, such that she can only readily be harmed by
enchanted weapons and spells, and regenerates 1 hit point of damage per round.
To slay her requires dismembering and burning her body. She will resurrect 1D6
months after being slain, appearing somewhere in the bramblewood of her
homeland. The myths say that she can only be slain if one finds the exact crop
of bramblewood she will regrow in and burn it down, then salt the earth.
Sorceress: Terragia is a gifted
sorceress and commands a range of spells. She typically has the following
spells prepared: Agony (2), Animal Friendship (3), Babble (1), Affliction (4),
Cave Bear Shape (4), Bird’s Vision (1), Brazier of Power (4), Captive Slumber
(3), Cloak of Night (4), Curse of Sorcery (4), Earth Walking (4), Hag’s Flesh
(3), Heal (3), Itch (1), Midnight (1), Moonlight (1), Omen (3), Scry (4), Sorcerer’s
Beauty (3), Sorcerer’s Void (3), Summon Elemental (1), Undo Sorcery (4), Summon
Passion Spirit (1), Wrack (1)
Terragia, the witch of Galitath
Some call her the Bramble Queen, for she is said to
haunt the thick, spiny woods along the foothills of the Askofar Mountains.
Others call her the Lady of Sar, for she seems to have an uncanny familiarity
with the mechanical golems of the ancients, the so-called meks. Those men of
the Barbarian Lands who claim to have met her in person say she is at once
cunning and mad, and surrounded....always surrounded....by the hideous brambles
that spring up wherever she walks.
On one occasion, the regional hero known as Arabast
the Cleaver said he met Terragia on a dark night, under the harvest moon after
a particularly gruesome battle against a horde of orcs. She was sifting through
the hundreds of corpses that had piled high in the battle when she came upon
Arabast, wounded and recovering from a rattling blow to the temple. She offered
Arabast a choice: to suffer his wounds, but in so doing, if he healed, he would
be stronger than he could imagine. Or she could heal him and insure his health,
but in exchange he must give of her a portion of his spirit, his katra, as the Galitath call it, a concept
similar to but not quite the same as a soul.
Arabast considered her offer and decided he would have
none of her withccraft. She left him to his own means, as her hulking
mechanical giants carried off dozens of corpses. A year later he found himself
ruler of the entire Northrender clan, ten thousand warriors under his banner.
"She knew my destiny," he once said to his young wife Ezeta,
"and she let me choose it. I could have been fodder for her machines....I
think she steals the katras of men, and that the meks she commands are powered
by those fragments of our spirits."
The truth about Terragia remains a mystery, but there
are a few other facts worth mentioning:
She is a friend to the efreet that dwell in
subterranean cities beneath the silt deposits on the coastal plains
Terragia is visited once a year along the coast by a contingent of priests and nobles from the Great City Phantomax to the distant west, often bearing strange concotions and tomes of eldritch lore in exchange for some of her fabulous meks
Terragia is shunned by the orcs, and her mere presence at an engagement is enough to send them routing
At least a few priestesses of Suliversa in Tordalis claim that Terragia is the bastard daughter of their goddess, from a tryst with Tokandros
Wednesday, May 14, 2014
The Primordial Spheres in Magic World
Continuing my conversion of the world of Pergerron (and specifically the River Kingdoms of Anansis) to Magic World, I offer up details on the primordial spheres with BRP/MW stats. I've been using Pergerron as my default setting for my Saturday Magic World campaign which is currently in full swing, so it now looks like the first system to introduce these magic items will be MW...
The Primordial Spheres
The Primordial Spheres are ten potent magic
items, one for each of the great elder gods called primordials. It is said
that each sphere was a gift forged from the primordial darkness, an embodiment
of the sacred power and knowledge of the old gods. The primordials coveted
these spheres, and kept within them the essence of their might, their magic and
their secrets.
When the Enkanneth, the first men, rose up
against the primordials and their chaoskin followers they did so with
deliberate action, seeking out the hidden places in the Outworld where the
primordials kept their spheres. Each Enkanneth stole the power from the
spheres, taking all of the energy and lore contained within into themselves.
When they were done, the spheres were cast aside, drained of the cosmic energy
that had granted true divinity to the elder gods.
The legends say these spheres were discarded as
useless, but useless to an Enkanneth...a man-made god....is a decidedly
different connotation than useless to mere mortals. The spheres have appeared
in various regions of the world, often coveted by those who find them, as each
one, despite being drained of most power, still contain significant magical abilities
that mere men can readily exploit.
Each sphere is about the size of a crystal ball
(think a bowling ball) and exhibits a miasma of swirling colors characteristic
of its title. The sphere cannot be used without first being attuned to the
user: this requires one day of quiet meditation with the orb, after which the
user is irrevocably connected to the orb until death or a remove curse breaks
the attunement. To invoke the power of the sphere, one need only hold it firmly
in both hands and concentrate. Unfortunately such power is also corrupting:
each sphere has side-effects if possessed for too long. The side effects appear
in three stages; the first stage can be stripped away with the remove curse
that breaks the attunement. The second and third stages are more complex, and
only a wish can remove their effects.
Here then are a few of the Primordial Spheres
known in existence today:
The Cerulean Sphere of Trigaril
The sphere of the primordial of the seas is a
deep blue in color, seemingly as if it were a hollowed glass ball with a slice
of the deep ocean poured inside. The bearer of this sphere is able to breath
water and can swim at his normal movement rate without problem, or suffer any
encumbering effects of armor while in the water. The bearer of the sphere gains
the following:
Magic
Reservoir: equal to user’s MP
Spells: Bounty of the Sea (4), Breath of Life (1)
Corruption: After 1D6 weeks the bearer of the sphere begins to develop gills
and webbed feet and toes. After another 1D4 months the bearer can no longer
survive out of water for more than 12 hours. After 1D4 years the bearer loses
the ability to breath air entirely. These effects transpire regardless of any
shape-changing or transmogrification.
The Vermillion Sphere of Verethax
The sphere appears to be a glass portal into a smoldering
inferno, and is always searing hot to the touch; it deals 1D6 fire damage to
any who hold it, except for the one who is attuned to its use. The Vermillion
Sphere allows the bearer the following:
Magic
Reservoir: equal to user’s MP
Spells: Flame Walking (4), Flames of the Sun (4), Guide Fire (4),
Sorcerer’s Sharp Flame (4); note that the sphere itself counts as a source of
fire for spells like guide fire.
Other
Traits: In addition the bearer of
the sphere is immune to fire damage, and can speak the language of fire
elementals with innate ability at 100% skill (this is lost if the attunement is
broken).
Corruption: after 1D6 weeks the bearer of the stone develops elemental traits
from the plane of fire, and finds that anything he or she comes into contact
with that can burn will ignite (1D6 fire damage). After 1D4 additional months
the bearer of the stone develops the ability to migrate to and from the
elemental plane of fire at will. After 1D4 years the bearer of the stone
assumes the full properties of a fire elemental of equivalent skill and power.
The Ebon Sphere of Yoka Vataras
This sphere is made of pure darkness, a swirling
nothingness that all but disappears when the lights are out. The bearer of the
sphere immediately gains the power of darksense, a unique trait which allows
the bearer of the stone to "see" in total darkness as if it were day,
albeit in shades of gray. The bearer of the sphere may cast the following
spells:
Magic
Reservoir: equal to the attuned
user’s MP.
Spells: Midnight (1), Summon Demon (1),
Sorcerer’s Soul (3), Sorcerer’s Weakness (3), Undo Sorcery (4).
Corruption: The quintessence of the void suffuses the attuned bearer with dark
energy, and within 1D6 weeks the bearer takes on the outward appearance of a spirit
shade, with skin of shadow and murky darkness wreathing his form wherever he
goes. In another 1D4 months the bearer loses his corporeal body, becoming
incorporeal, though still able to manipulate the orb. After 1D4 years the
bearer becomes an Intellect Spirit. While in this form the bearer is beyond
human understanding, but some form of great magic such as a wish or the power
of a demiurge removing the curse will restore him to his old life.
Tuesday, May 13, 2014
Xbox One Decoupled from Kinect, now competitively priced at $399...but too little, too late?
Microsoft has announced that on June 9th Xbox One can now be bought for $399 without a bundled Kinect. That's cool, and it may prompt me to buy one (though still not likely to happen until they actually have some exclusives worth purchasing).
The problem, of course, is that a lot of people (like me) opted for the PS4, and don't regret that decision. The PS4 and Xbox One have very, very similar catalogs of games right now....if you look at the existing lineup of games for each console, you'll see that the number of exclusives is damned small, and technically leaning in favor of PS4 right now (based on Infamous: Second Son and Killzone: Shadow Fall mostly, but I'm rather biased since I never much cared for the Dead Rising series...and Ryse doesn't sell well to people averse to the creep-zone brought about by the Kinect).*
If the 2014 releases for both consoles are almost perfectly identical (and they are), and the exclusives that would sway decisions on this are still looking like 2015 or later releases for the Xbox One...is anyone really going to buy a second console just so they can have both, when having one pretty much nets you everything right now? And on a console which is being trumpteted for its superior performance time and again?
I was never a Sony fanboy and I didn't even buy a PS3 until February last year ....but I'll be damned if Microsoft didn't make me one.
*Given that the best version of Titanfall is on PC, hard to include it as "exclusive."
The problem, of course, is that a lot of people (like me) opted for the PS4, and don't regret that decision. The PS4 and Xbox One have very, very similar catalogs of games right now....if you look at the existing lineup of games for each console, you'll see that the number of exclusives is damned small, and technically leaning in favor of PS4 right now (based on Infamous: Second Son and Killzone: Shadow Fall mostly, but I'm rather biased since I never much cared for the Dead Rising series...and Ryse doesn't sell well to people averse to the creep-zone brought about by the Kinect).*
If the 2014 releases for both consoles are almost perfectly identical (and they are), and the exclusives that would sway decisions on this are still looking like 2015 or later releases for the Xbox One...is anyone really going to buy a second console just so they can have both, when having one pretty much nets you everything right now? And on a console which is being trumpteted for its superior performance time and again?
I was never a Sony fanboy and I didn't even buy a PS3 until February last year ....but I'll be damned if Microsoft didn't make me one.
*Given that the best version of Titanfall is on PC, hard to include it as "exclusive."
Monday, May 12, 2014
The Elder Scrolls Online: Sitting in Troubletown?
If Elder Scrolls Online is going to have a hope and a prayer they need to get the following problems fixed:
1. periodic 6-8 minute loading screen wait periods need to stop. I can be playing WoW, Rift or GW2 in 30 seconds, but I'm lucky if I make it into TESO in 6 minutes.
2. The lag has got to go. The server instability has got to go. When 2 out of 3 times I try to log in and play but can't, or find that I get kicked and the server seems to have croaked....bad sign, Bethesda! I want to play your game, please let me?
3. This is more a pet peeve than anything, but lets get a little more color in the palette, for a change. The colorful environments of other MMOs stick out in sharp contrast to the perpetual drabness that is TESO. This could also be a side effect of being a spin-off of the decidedly prettier looking Skyrim, but bottom line is it needs something....some color, better modeling/textures...something.
4. This is more of a personal deal, but I do get worried that if I play TESO to the end all I'll encounter is an endless schedule of PvP focused content. I get nervous with any game that supports a ruling "king" of PvP and did not discover this was a big component of TESO until recently. Nothing wrong with PvP....but not really what I wanted out of an Elder Scrolls game, y'know?
As an aside, if PvP is a big component of the game, I can only imagine just how ticked off the PvPers must be with the sort of lag this game exhibits. Death by lag in PvE is infuriating enough....dying due to lag in PvP is dangerous for your blood pressure!
Other than that I do love this game, if only it would work right. But the technical issues are so bad I am thinking I'll cancel my sub before the free time is up next week and wait a couple months to see if they iron out their problems. Way back in the day I did something similar with Rift, which was technically flawed but interesting at the start....I came back a year later and it ended up being my main game for a good two years. With TESO, though, if I give it a year...odds are when I come back it'll be F2P anyway, I suspect....
1. periodic 6-8 minute loading screen wait periods need to stop. I can be playing WoW, Rift or GW2 in 30 seconds, but I'm lucky if I make it into TESO in 6 minutes.
2. The lag has got to go. The server instability has got to go. When 2 out of 3 times I try to log in and play but can't, or find that I get kicked and the server seems to have croaked....bad sign, Bethesda! I want to play your game, please let me?
3. This is more a pet peeve than anything, but lets get a little more color in the palette, for a change. The colorful environments of other MMOs stick out in sharp contrast to the perpetual drabness that is TESO. This could also be a side effect of being a spin-off of the decidedly prettier looking Skyrim, but bottom line is it needs something....some color, better modeling/textures...something.
4. This is more of a personal deal, but I do get worried that if I play TESO to the end all I'll encounter is an endless schedule of PvP focused content. I get nervous with any game that supports a ruling "king" of PvP and did not discover this was a big component of TESO until recently. Nothing wrong with PvP....but not really what I wanted out of an Elder Scrolls game, y'know?
As an aside, if PvP is a big component of the game, I can only imagine just how ticked off the PvPers must be with the sort of lag this game exhibits. Death by lag in PvE is infuriating enough....dying due to lag in PvP is dangerous for your blood pressure!
Other than that I do love this game, if only it would work right. But the technical issues are so bad I am thinking I'll cancel my sub before the free time is up next week and wait a couple months to see if they iron out their problems. Way back in the day I did something similar with Rift, which was technically flawed but interesting at the start....I came back a year later and it ended up being my main game for a good two years. With TESO, though, if I give it a year...odds are when I come back it'll be F2P anyway, I suspect....
Sunday, May 11, 2014
Fantasy Hero Complete Kickstarter
I don't back many Kickstarters (I've only backed three so far) but make that four now as I'm backing this one:
Champions Complete was an excellent all-in-one retelling of the Hero System specifically for superhero gaming. A new all-in-one Fantasy Hero...like it was for the first two editions of the game....is exactly the kind of project I can get behind (I still have Fantasy Hero 1st edition on the shelf).
Champions Complete was an excellent all-in-one retelling of the Hero System specifically for superhero gaming. A new all-in-one Fantasy Hero...like it was for the first two editions of the game....is exactly the kind of project I can get behind (I still have Fantasy Hero 1st edition on the shelf).
1,000 Posts
I just noticed I passed 1,000 posts a few days ago. Woot! Since 2011 this blog has been a great creative outlet for me, and an excellent tool for keeping my writing skills tasked (if not honed). Gratz to me!
Magic World meets Dark Ages Cthulhu
Tonight's Magic World session turned decidedly dark as the adventurers (well, Home Invaders as I've taken to calling them lately) trashed the smuggling ring beneath the warehouse in the harbor district of Samaskar and discovered that the smugglers had been leasing out the back wing to a den of serpent men cultists worshipping Hox Nagor, primordial god of serpents.
In the midst of the purge the entire event got a little Mythosesque on the group as the serpent men, while defending their turf, took to summoning something hideous from the Dreamlands in the back room. They popped the serpent man doing the summoning but not before one of these showed up:
Yep, a Gug. Most of these players are not versed heavily in the lore of the Cthulhu Mythos, but some knew enough to realize that this was not good. Suddenly, that extra book I was hauling around labeled "Cthulhu: Dark Ages" started looking a lot more concerning to everyone...
The gang eventually found a way to send the gug back to the Dreamlands, but not before realizing that they had very nearly seen a potent and horrific beast let loose in the heart of civilization. One of the adventurers, a nomad from the Aiga to the north was driven mad when the gug nearly ripped his left arm off....and the searing touch on his flesh left him with a keen sense of the beast's presence. Another, an elven thief, stole the jeweled eyes of the primordial statue of Hox Nagor earlier and suddenly discovered she could see all manifestations of the quintessence around her....and into other realms coterminous with ours, as well.
I let the group know this was still "heroic" Mythos level Howard-inspired type stuff afterwards; we're not playing with sanity rules, and these are all heroes who take for granted that the world is filled with supernatural horrors....but avoiding this thing's grasp was still an excellent idea!
In the midst of the purge the entire event got a little Mythosesque on the group as the serpent men, while defending their turf, took to summoning something hideous from the Dreamlands in the back room. They popped the serpent man doing the summoning but not before one of these showed up:
Yep, a Gug. Most of these players are not versed heavily in the lore of the Cthulhu Mythos, but some knew enough to realize that this was not good. Suddenly, that extra book I was hauling around labeled "Cthulhu: Dark Ages" started looking a lot more concerning to everyone...
The gang eventually found a way to send the gug back to the Dreamlands, but not before realizing that they had very nearly seen a potent and horrific beast let loose in the heart of civilization. One of the adventurers, a nomad from the Aiga to the north was driven mad when the gug nearly ripped his left arm off....and the searing touch on his flesh left him with a keen sense of the beast's presence. Another, an elven thief, stole the jeweled eyes of the primordial statue of Hox Nagor earlier and suddenly discovered she could see all manifestations of the quintessence around her....and into other realms coterminous with ours, as well.
I let the group know this was still "heroic" Mythos level Howard-inspired type stuff afterwards; we're not playing with sanity rules, and these are all heroes who take for granted that the world is filled with supernatural horrors....but avoiding this thing's grasp was still an excellent idea!
Friday, May 9, 2014
Juggling Continuity - or how Disney got me interested in Star Wars novels again
Like many beloved continuities the Star Wars Expanded Universe grew over a period of thirty years in a manner typical of a complicated invasive pest organism let loose into an unprepared wilderness. Like tumbleweeds in the American Southwest, rabbits in Australia or the nutria in Louisiana the Star Wars Expanded Universe has run rampant though the unexplored off-screen potential universe of Star Wars. For better or worse this has led to some memorable stories that people love (anything by Timothy Zahn) and some horrible stuff that we all wish we could forget (list too long to name; also, contentious as everyone has their pet peeves). It's also led to an interesting and weighty nightmare in terms of just how a reader keeps up with all of this. Take a break from Star Wars novels for a year or two and you could find yourself hopelessly out of touch, unable to catch up and figure out what the heck happened.
Juggling continuity like this is a real beast of an issue, and some IPs have managed this better than others. Comic book publishers are especially famous for this: DC Comics, for example, periodically likes to reboot its universe and uses its many alternate realities to do so, a tradition going back to the Crisis on Infinite Earths which was ironically designed to clean up their many alternate-reality crossover storylines that had turned their comic continuity into spaghetti mush. This has the advantage of making it easier to jump into a contemporary storyline for DC (with the New 52 reboot most recently) but with the disadvantage being that older graphic novels and comics may be contradictory or nonsensical in relation to the newer tales.
Marvel, by contrast, dogmatically sticks to their core universe and periodically "soft reboots" with retellings and reimaginings of the classics stories of yore (for example, the Season One graphic novels) that are designed to make the original tales (many dating to the sixties with all the baggage that entails) more contemporary while not precisely negating the original tales. As a result, you have to read all Marvel comics with the implicit assumption that everything that has ever been published for the series technically takes place within the last 10-15 years of their condensed "super-floaty timeline." That means that in the early eighties when I was reading about the first Phoenix tale, in "Marvel-universe-time" those stories technically took place around 2000-2004 in "current Marvel-universe-time." And in ten years those stories will be taking place ten years later.
In Marvel's defense, they do seem to be progressing their universe, ever so slightly. It just so happens that their batch of younger protagonists, the second and third generation after the originals, tend to be really uninteresting. Marvel's focus on a sort of "quasi realism" in terms of these character arcs and the whole super heroes in suits concept puts brand recognition for the younger characters at odds with the more readily identifiable characters.
Marvel also has a problem with characters tied to specific time periods: the further the timeline "ages" the weirder the stories and justifications for these characters get. Magneto, as an example, should be 79 years old roughly by my estimates. He looks it in the movies, but I suspect in the comics he's had some sort of slowed aging going on....something? Who knows.
But back to continuity and Star Wars. The idea that the Expanded Universe would survive Episodes VII-IX is silly; there's no way that the people working on the films would slavishly adhere to the bizarre complex canon that grew up in the Expanded Universe, and in fact by not doing so they have opened up the Star Wars universe to a new reinterpretation, one which does not reflect the many years of various special projects, games, novel events (NJO) and other detritus that turned into the Expaned Universe.
For people like me this is a great thing: I get to jump back in to Star Wars feet first when they start releasing the "new canon" novels being scheduled for release. This is going to be great, especially if you (like me) often found the old EU novels to be strange ducks, a product which was one part fan service, one part "we don't know what we can/can't write about in relation to the prequels" and especially the weird anachronism that is the unaging characters of Luke, Han Leia and the rest whose real-life actors carried on in the real world while their on-screen doppelgangers at best got a slight dusting of gray around the temples on their book covers to symbolize the decades spinning away.
I don't know if ditching the whole canon like this is a good move for the cavalcade of Star Wars die hard fans out there, but for me it's just the incentive I need to actually think about getting back into the core Star Wars universe. I really look forward to reading some novels free of the baggage that the EU brings with it everywhere it goes.